Breaking the News

The 19th is the first nonprofit, nonpartisan news agency in the United States. Its mission is to focus on the impact of national politics and policy on women.

Breaking the News immerses its audience in the lives and pursuits of the members of The 19th – women and LGBTQ+ journalists – as they struggle to launch the agency and gain traction for their newsroom amidst an America upended by Trump, the Pandemic, Black Lives Matter and more.

Breaking the News provides an inquisitive and dynamic view of the inner workings of a news agency as its journalists aim to disrupt entrenched biases including their own, push for accountability and get the news stories that concern women on the front pages, where they belong.

Sahara (series)

Series Synopsis

For centuries colonialists have bypassed the Sahara. The largest sand desert on the planet was too hot and too impenetrable.

Now, Europe seems to have shifted its southern border to the Sahara in order to stop migration and combat terrorism. How do the inhabitants of the Sahara feel about this interference?

In Sahara, a new three episode series, Bram Vermeulen crosses the desert from west to east, from the Atlantic Ocean to the Red Sea.

He experiences the heat, the dangers of advancing jihadism, the desperation of migrants, the hidden world of slavery, uncovers human trafficking networks and he meets with locals in one of the most inhospitable places on earth.

 

Episode 1 – The Secret of Mauritania

In the far west of the Sahara lies Mauritania. Ten years ago, this country was a busy crossing for migrants from West Africa to the Canary Islands, but since the Spanish coast guard have taken up patrols, no one has gotten through.

Mauritania is one of those countries that has managed to escape the attention of the world press. A country of sand where the first cities were not built until the 1960s, but urbanisation has brought many desert customs to the city. Notorious is the habit of force-feeding young girls with camel milk and breadcrumbs dipped in olive oil, a banned custom intended to make them more attractive on the marriage market.

It turns out that there is much more happening in Mauritania that they would rather hide.

Officially, slavery was abolished in Mauritania in 1981, nearly a century after the rest of the world had banned it, but activists are still fighting every day to free tens of thousands of black Mauritanians who are owned by others. They have no rights. They do not get paid. Women who have children, often by their owners, have to give their children their owners’ last names, and the children are not entitled to an education. And the battle against slavery is hazardous for activists, lawyers and the journalists who report on it.

 

Episode 2 – Timbuktu at the Crossroads

Timbuktu was a dream destination for any traveller brave enough to cross the Sahara. Centuries ago, mythical stories were told about Timbuktu; the streets were said to be paved in gold.

In 2012 the city was taken by an alliance of Tuareg separatists and Ansar Dine Jihadists. They realised the dream of generations of Tuareg nomads: their own state, under the name of Azawad. Ancient tombs were destroyed and for nine months, Timbuktu lived under the strict sharia regime until the French army was brought in to free the city.

We meet the owner of the only bar in Timbuktu, the son of a mixed marriage between a Malian mother and a French soldier. It was this ancestry that saved his life on the day that the Jihadists took over the city. Everyone in Timbuktu has two identities. The local journalist who had to run propaganda for the occupiers to stay alive. The young women who were abused by the Jihadists, but then came back to celebrate and dance to a song that praises the ideals of their abusers.

Timbuktu it seems remains a dangerous city in the grips of an identity crisis.

 

Episode 3 – Niger: Stuck in the Middle

For centuries, the frontier desert-city of Agadez was the starting point for travellers crossing the Sahara; the hub between West Africa and the Mediterranean, but the European migration panic has had a huge impact on Agadez. Under pressure from Brussels and in receipt of substantial payments, the government of Niger has adopted a law prohibiting the transport of migrants.

The law has left over 6000 smugglers unemployed. Their cars have been confiscated, many have been arrested, and most of the migrants in Agadez have been sent back to neighbouring countries of Algeria and Libya.
Today, Agadez is an angry city. The EU had promised alternative employment, but of the 6000 candidates, only 200 jobs materialised. The former smugglers blame their own bureaucrats who charged fees to assist them in filling in forms, but then sat back and did nothing.

Some of the smugglers have moved to the goldmines in the Sahara, indescribably difficult work in the 45 degree heat, and a far cry from their lucrative former employment.

There is a volatile atmosphere in the streets of Agadez. Monday always used to be the day of departure for the smugglers. Can it be that the smugglers of Agadez have found a new way to circumvent the wishes to Europe and the blockades?

Mr. Fish: Cartooning from the Deep End

We find Mr. Fish, who once had success creating compelling, outrageous editorial cartoons, as his profession is dying out.

Editors who previously backed his controversial work are disappearing as fast as the newspapers which once employed him. Can an outspoken artist raise a family and maintain his unique defiant voice?

This intimate documentary follows the artist as he struggles to stay true to his creativity in a world where biting satiric humour has an ever-diminishing commercial value. Mr Fish: Cartooning from the Deep End examines the compromises a radical artist makes (or refuses to make).

 

“A stubbornly amiable film about a compulsively provocative talent, “Mr. Fish” ponders the outer limits of editorial cartooning in an age where there’s arguably more fodder for such commentary than ever… 

to further offset the queasiness that Mr. Fish’s images often generate, Bryant lends his well-crafted feature a bright, playful, even antic tenor, painting his subject as a lovable eccentric rather than a tortured artist.”
Variety

“The film hit my heart and brain with such velocity that it literally made me sit on the edge of my seat”
Ain’t It Cool News

Code of Silence

Code of Silence follows the parallel journeys of a fervently Orthodox Jewish father and his now-secular son, after the son Manny breaks the code of silence in Melbourne’s Orthodox community and goes public with his story of being sexually abused as a school student.

Manny Waks claims he was abused by an Orthodox Jewish security guard, who also taught boys karate, at the Yeshivah Centre in Melbourne. Now Manny is demanding his abuser be brought to justice, and the rabbis and Chabad leaders who tried to cover it up, are brought to account.

His father Zephaniah joins forces with his son, but soon finds he has been virtually excommunicated for breaking an ancient Jewish law forbidding Jews from informing secular authorities about other Jews.

We see how father and son split this tightly-knit, powerful Jewish community as we open the door into their insular world of study and duty, charity and faith, power and piety.

Will Manny get justice in court? Will the rabbis be held to account? And, what price will the father and son pay for blowing the whistle?

 

Code of Silence from Sideways Film on Vimeo.

Breaking the Silence

Breaking the Silence follows the journey of Manny Waks who was, until recently, the only survivor of child sexual abuse within Melbourne’s Orthodox Jewish community to speak publicly.

This is the dramatic follow up to the Walkley Award winning Code of Silence. 

Breaking the Silence begins with Manny Waks as he gives evidence at the Royal Commission into Institutional Responses to Child Sex Abuse, during which two ultra-Orthodox Jewish institutions are accused of covering-up and protecting perpetrators in the 1980s and 90s. 

Over two explosive weeks inside Melbourne’s County Court, viewers will witness, for the first time, those rabbis and officials accused of the cover-ups take the stand and be grilled. For the first time, it is also revealed that Manny was not the only member of the family who was abused; Manny’s father Zephaniah Waks reveals two other sons were abused by a Yeshivah Centre teacher, David Kramer in the 1990’s. He had tried to have the abuse handled by community leaders but was subject to an ancient code of silence that forbids Jews from speaking about the allegations involving other Jews, to the police.

The result was that Zephaniah and his wife were virtually excommunicated and feeling isolated, they decided to relocate to Israel. Now his other son Yanky agrees to speak on camera for the first time.

After the hearings, Manny travels to the United States to confront one of the two men who he claims abused him. The film’s climax follows Manny to Los Angeles, where he meets a convicted pedophile who was given a suspended sentence for abusing AVB in Sydney in the 1980s. It’s a powerful moment between victim and abuser that delivers an unexpected conclusion.

Will Manny’s confrontation with the man he claims abused him give him peace of mind? And will his meeting with the convicted pedophile give him a crucial sense of resolution?

Breaking the Silence from Sideways Film on Vimeo.

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.

 

Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.