Tupamaro: Urban Guerrillas

The award-winning film chronicles the life of Alberto “Chino” Carias, the infamous leader of a vigilante “colectivo” from the slums of Caracas, Venezuela.

Once accused of robbing banks and killing cops, Chino sheds his outlaw reputation and takes a post in Hugo Chavez’s government. But after Chavez dies, the country’s struggling economy collapses.

In the absence of true law and order, Chino clings to his contradictory roles as saint and executioner.

Produced by Peter Marshall Smith and Matt Weinglass

Mr. Fish: Cartooning from the Deep End

We find Mr. Fish, who once had success creating compelling, outrageous editorial cartoons, as his profession is dying out.

Editors who previously backed his controversial work are disappearing as fast as the newspapers which once employed him. Can an outspoken artist raise a family and maintain his unique defiant voice?

This intimate documentary follows the artist as he struggles to stay true to his creativity in a world where biting satiric humour has an ever-diminishing commercial value. Mr Fish: Cartooning from the Deep End examines the compromises a radical artist makes (or refuses to make).

 

“A stubbornly amiable film about a compulsively provocative talent, “Mr. Fish” ponders the outer limits of editorial cartooning in an age where there’s arguably more fodder for such commentary than ever… 

to further offset the queasiness that Mr. Fish’s images often generate, Bryant lends his well-crafted feature a bright, playful, even antic tenor, painting his subject as a lovable eccentric rather than a tortured artist.”
Variety

“The film hit my heart and brain with such velocity that it literally made me sit on the edge of my seat”
Ain’t It Cool News

In the Executioners Shadow

In the Executioner’s Shadow casts a penetrating look at the consequences of the death penalty through three powerful stories –  a former state executioner who comes within days of executing an innocent person; a Boston Marathon bombing victim who struggles to decide what justice really means; and the parents of a murder victim who choose to fight for the life of their daughter’s killer.

As the battle over capital punishment heats up, this provocative film challenges viewers to question their deepest beliefs about the meaning of justice.

The Sacred City

The Sacred City presents compelling evidence that suggests the holy city of Mecca is in the wrong location and that the worlds 1.6 billion Muslims are praying in the direction of the wrong city. Compiling evidence from both historic sources and new technologies point to the correct location in this seismic, revelatory new film.

In this startling and original documentary, writer and historian, Dan Gibson, shows that descriptions of Mohamed’s original holy city – as detailed in the Qur’an and Islamic histories, do not match that of the Mecca we know today.  If true this could shake Islam to it’s roots, because every Muslim is required to pray towards  the ‘forbidden gathering place’. If Dan Gibson is right, Muslims are praying in the wrong direction.

In the film ‘The Sacred City’ we set out his evidence from within Islamic and ancient histories – while also using modern technologies –  to track down the biggest secret of the last fifteen hundred years. Gibson not only finds the location of the original Mecca but also provides a convincing argument as to how such a great misunderstanding in Islamic history came about.

While clearly controversial, The Sacred City is respectful of Islam’s prophet, and does not dispute the events of the Qur’an; but shows how a deliberate attempt was made to hide from Islam, secrets that impact every Muslim today. The evidence is compelling and fascinating.

In a time when the world agenda is being set by Islam, it is more important than ever for the origins and history of this world religion to be examined afresh. This is an important documentary with world-wide appeal for both religious and secular audiences.

Beautifully filmed in the ruins and deserts of the middle east, the film is a detective story that investigates the dawn of Islam and will become the most talked about film for years to come.

The Sacred City from Sideways Film on Vimeo.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

Burning From the Inside

German and Greek nationalists have paradoxically joined forces, and grown in numbers promoting a fascist agenda while on both sides, antifascists have risen to challenge them amidst a backdrop of global recession, finger-pointing and scapegoating. 

Burning from the Inside charts the rise of the Greek Nazis ‘Golden Dawn’ – the ‘monstrous’ child of the crisis – the changes they brought to Greek society after their entry to parliament, their collaboration with German Neo-Nazis in the formation of ‘Black International’, and their fall two years later with the murder of the anti-fascist Pavlos Fissas.

Through the trajectory of the party, we question the political and social structures of Greek leadership that fomented the rise of fascism and corruption, as well as the dis-function of Capitalism and Democracy in the country that gave birth to it. We also look at the role of Germany as the ‘queen of Europe’ and the extent to which she is responsible for developments in southern European countries.

While the rise of far right may seem unthinkable, dramatic scenes of racially motivated blood shed on the streets of Athens, police brutality linked to membership of far-right organisations and institutional racism in Greece tell a different story. Meanwhile, in Germany a more subtle, insidious message reaches the public with headlines blaming ‘lazy Greeks’ and other minorities within the country. Burning from the Inside is a visceral indictment of a deadly minority on the fringes of Europe that we ignore at our peril.

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.

 

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

Freedom From Choice

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live.

But what if these choices are just an illusion?

In an era where regulations and red tape rule every industry, where lobby groups and big business wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all?

Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated, and tells us who stands to gain.

An Invisible Threat

We cannot see the waves, we cannot hear them, we cannot touch them, but they are all around us, invading the air, irradiating our body and the environment.

An Invisible Threat looks at the relationship between microwave technology and health, investigating the conflicts of interest among industry representatives, politicians, scientists and consumers that leave us unprotected to the effects of radiation.

Wireless networks irradiate microwaves indiscriminately across cities, villages and the countryside of all developed countries. This increasing exposure disturbs the biological processes that are essential for the healthy growth of human beings, animals and plants – it especially affects children and teenagers.

The reasonable doubt that has arisen from independent scientific reports regarding the harmful effects of these technologies has led the Council of Europe to recommend its members countries apply the Precautionary Principle. In June 2011, the International Agency for Research on Cancer (IARC), a body of the World Health Organization (WHO), admitted for the first time that microwaves produced by mobile phones could be “possible carcinogens”.

Our investigation delves  into three groups: the telecommunications industry (mobile telephone companies, MMF); official organisations (WHO, IARC, ICNIRP) and official scientific reports (BioInitiative, Interphone, CEFALO).

In parallel, An Invisible Threat takes in the daily life of Minerva Palomar, a woman affected by the electromagnetic hypersensitivity syndrome and the obstacles she needs to overcome in order to lead a normal life.

An Invisible Threat has a clear international focus, dealing with a social issue of global importance. Microwave effects are currently being analysed and debated in almost all developed countries. The question is, are we prepared for the answers.

 

 

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?

U.N. Me

Following the horrors of World War II, there was a strong desire for a better world in which peace would be maintained and human rights respected – the U.N was born. Now, more than 60 years later, the image of the UN has become severely tarnished.

International peace and security is in a perilous state, and scores of stories are flying around demonstrating that the UN and its Security Council could have done more harm than good.

Documentary filmmaker Ami Horowitz takes us on a brutal tour of a number of places where the UN has intervened. Through interviews with those involved — some of whom wish to remain anonymous — and archive footage, we uncover facts about abuses and scandals surrounding UN missions and personnel.

The ‘forgotten’ shooting in Côte d’Ivoire, during which UN soldiers opened fire on unarmed demonstrators, the “Oil for Food” program in Iraq, which resulted in the wrong people reaping the benefits and the harrowing case of the UN soldiers who stood by, powerless, during the genocide in Rwanda. These are just some of the stories uncovered in what the Los Angeles Times has called ‘a scathing take down of the United Nations’.