Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

A Whisper to a Roar

Whisper to a Roar presents the inspiring and dangerous work of democracy activists in five countries around the world – Egypt, Malaysia, Ukraine, Venezuela and Zimbabwe.

The film’s subjects span the full spectrum of democratic activists: student leaders (Venezuela); young professionals (Egypt); currently active opposition politicians (Malaysia and Zimbabwe) and a former president (Ukraine). These heroes tell their compelling personal stories of struggle with the oppressive regimes ruling their countries, now or in the past.

The activists come from a variety of cultures and live on different continents, yet they all take enormous risks to pursue political freedom for their people and aspire for accountable government. In each country, the regimes and rulers that oppress their people use remarkably similar techniques and the activists’ most successful techniques are also remarkably alike, regardless of their circumstances.

The presence in the film of accomplished democrats, both the famous and the unsung, from diverse cultures and religions, will inspire and instruct viewers around the world of widely varying ages, nationalities, and political persuasions.

“This deft digest from the director Ben Moses is by turns shocking and inspiring…”
New York Times

“In the case of the new documentary A Whisper to a Roar, democracy and the fight for freedom are not only moving, but also deeply personal, thought-provoking and inspiring.”
The Huffington Post

“An expertly drawn primer on the soft dictatorships that constrained five different countries and the peaceful revolutions that sought to expunge them”
The Village Voice

“The film is not only a riveting documentary, but also offers inspiration to people everywhere who seek to make governments accountable to the citizens they serve”
Hillary Clinton

Closed Sea

Closed Sea reveals the untold story of the endangered migrants who attempted to escape Libya to Italy during the 2011 war, only to be returned to the hands of Gaddafi as a result of a prior agreement signed between Berlusconi and Gaddafi.

During a perilous journey by boat from Libya to Italy, our protagonists become adrift, facing near certain death on the waves. A sighting, and subsequent rescue, by the Italian Navy cause scenes of unbridled joy and celebration – all captured by the stranded refuges on camera-phone.

Their joy though was to be short lived as it soon became clear that their rescuers had other plans.

Closed Sea meets the refugees who were forced back into the hands of the dictator, and witnesses the abuses faced by those who dared to attempt an escape. Families are divided and in limbo as Gaddafi’s regime crumbles and the revolution gains pace, though it is the European Court of Human Rights in Strasbourg that truly determine the final fate of our protagonists.

From their battered vessels and failed rescue to their subsequent imprisonment, tenure at a refugee camp and onward to the distant European Court of Human Rights. Closed Sea captures the dramatic stories of those whose lives were torn apart and forgotten, not just by Gaddafi, but his allies in Europe who claim to stand for freedom and human dignity.

Along Gaddafi’s Road

For the first time in 42 years, a camera enters Southern Libya in what was forbidden territory under the Gaddafi regime.

Shortly after Gaddafi’s demise, we accompany members of the disgraced Tabu tribe along the road to their impoverished desert territory near the Algeria-Niger-Chad borders 1000 Km from Tripoli.

Electricity has been on again for barely two months, mobile phones haven’t worked for seven. Fuel is scarce and queues are endlessly long. Two widespread weapons are in use: sat phones and Kalashnikovs.

Closely guarded by rebel escorts for security reasons, we follow the illegal immigrants route all the way to the Niger border. We discover how Gaddafi challenged Europe at the beginning of the revolution by sending and financing flows of migrants. Rebels, smugglers and victims of the old regime tell their stories.

The desert’s well-preserved secrets now finally come to light.

Egypt: Behind the Revolution

Filmed primarily in Egypt in March of 2011, soon after the January revolution, this film introduces you to the Egyptians who lived under Mubarak and helped to bring him down.

Including interviews with revolutionaries from all walks of life fighting for a new start in Egypt, we get an inside glimpse at the sequence of events that led to what some are calling the first Facebook revolution.  Ordinary people give their reasons for taking to the streets of Egypt to call for freedom and reforms, and what led them to demand Mubarak’s resignation.

This broad-ranging film gives the events of January 2010 both the context necessary to fully understand how a powerful regime could fall so suddenly, as well as on-the-ground testimonials that fill in important details that went unreported at the time.

From the brewing discontent that preceded the revolution, to the 18 days of often brutally suppressed protests when success seemed far from inevitable, this film puts us in the centre of the action. Finally, Egypt: The Story Behind the Revolution captures the peoples joy and relief when Mubarak steps down after thirty years in power.

A Film About Races

We follow Welshman Paul Duddridge as, with the help of some of the world’s greatest writers, thinkers and professors, he pushes aside society’s taboos to find out what “race” really is. Along the way he attempts to solve the Middle East peace crisis, buys hundreds of twinkies and desperately tries to find contestants to join him for a mini-Olympics staged in Los Angeles where teams are split by race rather than nationality.

There is a serious point to the seemingly irreverent approach: if we can’t easily define race, why can it sometimes seem so easy to define racism?

Filmed on location in Los Angeles, Texas, New York, New Jersey, Virginia, Ohio, and the UK – “A Film About Races” is an entertaining exploration of the common myths and misconceptions about race.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.