Tag Archives: film

U.N. Me

Following the horrors of World War II, there was a strong desire for a better world in which peace would be maintained and human rights respected – the U.N was born. Now, more than 60 years later, the image of the UN has become severely tarnished.

International peace and security is in a perilous state, and scores of stories are flying around demonstrating that the UN and its Security Council could have done more harm than good.

Documentary filmmaker Ami Horowitz takes us on a brutal tour of a number of places where the UN has intervened. Through interviews with those involved — some of whom wish to remain anonymous — and archive footage, we uncover facts about abuses and scandals surrounding UN missions and personnel.

The ‘forgotten’ shooting in Côte d’Ivoire, during which UN soldiers opened fire on unarmed demonstrators, the “Oil for Food” program in Iraq, which resulted in the wrong people reaping the benefits and the harrowing case of the UN soldiers who stood by, powerless, during the genocide in Rwanda. These are just some of the stories uncovered in what the Los Angeles Times has called ‘a scathing take down of the United Nations’.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

Who Rules America?

Who Rules America? takes a comprehensive look into the governing system of the United States of America and reveals the behind-the-scene powers that rule the nation. There are two Americas; one in which people have freedom in choosing their leaders within the framework of the constitution living in the land of the free, and another, wherein all is dedicated to the ruling 1%  and within which a  hidden network of power governs including the media, Wall Street , the Military and Corporations.

This new expose from Danny Schechter (In Debt We Trust, WMD: Weapons on Mass Deception) lifts the lid on the true decision makers behind the worlds self-proclaimed democratic  role model.


Beautiful Faces

Beautiful Faces offers a compelling look at one of the world’s most remarkable hospitals, the disfigured young patients to whom it offers new lives, and the team of surgeons, physicians, and medical professionals who believe it’s the best place in the world to practice their unique, life-transforming craft.

You’ll come away convinced that health-care can be affordable, humane, and excellent, and that every one of us deserves a face with which we can bravely meet the world.

Hospital General Gea Gonzalez, located in Mexico City’s frenetic Tlalpan district, is surrounded by a high metal-barred fence, its entrances guarded by policemen carrying automatic weapons. On any day, literally thousands of impoverished Mexicans wait patiently for services, often for many hours, yet the hospital’s plastic and reconstructive surgery unit.

It is a hospital that ably demonstrates that even the very poor can receive excellent medical care at costs that don’t bankrupt health-care systems and that everyone can be offered the basic human right of a normal face.

Beautiful Faces interweaves the stories of patients and their families who come to the reconstructive plastic surgery unit at Hospital Gea Gonzalez seeking physical transformations that will renew their own and their loved ones lives with the personal stories of the enormously talented medical professionals whose work is both their passion and their gift to humankind.

The film chronicles the remarkable community of caregivers and care-receivers who come together on the hospital’s fascinating fourth floor, and who profoundly influence each others lives. From Dr. Fernando Ortiz Monasterio, the beloved patriarch whose demands for excellence from his subordinates remain exacting, to four-year-old Sebastián Castillo, whose irrepressible enthusiasm for life helps him cope remarkably with the challenges of Crouzon’s syndrome, Beautiful Faces is a mosaic of stories–the richly visual tales of people who meet in a singular place and who collectively understand that in valuing individual lives and striving to make them better, we value all of humanity.

Beautiful Faces ultimately demonstrates that, in many ways, the distinction between patients and caregivers is only an illusory one, and that much more than cutting, sawing, and sewing, the essential task of the hospital is the freeing of the human spirit. It is work that allows doctors and patients alike to look comfortably in the mirror and understand that they are vitally important members of the human family.

Closed Sea

Closed Sea reveals the untold story of the endangered migrants who attempted to escape Libya to Italy during the 2011 war, only to be returned to the hands of Gaddafi as a result of a prior agreement signed between Berlusconi and Gaddafi.

During a perilous journey by boat from Libya to Italy, our protagonists become adrift, facing near certain death on the waves. A sighting, and subsequent rescue, by the Italian Navy cause scenes of unbridled joy and celebration – all captured by the stranded refuges on camera-phone.

Their joy though was to be short lived as it soon became clear that their rescuers had other plans.

Closed Sea meets the refugees who were forced back into the hands of the dictator, and witnesses the abuses faced by those who dared to attempt an escape. Families are divided and in limbo as Gaddafi’s regime crumbles and the revolution gains pace, though it is the European Court of Human Rights in Strasbourg that truly determine the final fate of our protagonists.

From their battered vessels and failed rescue to their subsequent imprisonment, tenure at a refugee camp and onward to the distant European Court of Human Rights. Closed Sea captures the dramatic stories of those whose lives were torn apart and forgotten, not just by Gaddafi, but his allies in Europe who claim to stand for freedom and human dignity.

Along Gaddafi’s Road

For the first time in 42 years, a camera enters Southern Libya in what was forbidden territory under the Gaddafi regime.

Shortly after Gaddafi’s demise, we accompany members of the disgraced Tabu tribe along the road to their impoverished desert territory near the Algeria-Niger-Chad borders 1000 Km from Tripoli.

Electricity has been on again for barely two months, mobile phones haven’t worked for seven. Fuel is scarce and queues are endlessly long. Two widespread weapons are in use: sat phones and Kalashnikovs.

Closely guarded by rebel escorts for security reasons, we follow the illegal immigrants route all the way to the Niger border. We discover how Gaddafi challenged Europe at the beginning of the revolution by sending and financing flows of migrants. Rebels, smugglers and victims of the old regime tell their stories.

The desert’s well-preserved secrets now finally come to light.

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.

Zeitgeist: The Series

The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement.  For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series.

Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.

Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.

Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.

Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.”

The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie.

Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.

Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed.

Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions.

Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a “Resource-Based Economy”.

Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better.

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics.

The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health”.

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level.

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed.

Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way.

Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides.

Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.

 

download PDF onesheet – ‘The Movie’>
download PDF onesheet – ‘Addendum’>
download PDF onesheet – ‘Moving Forward’>
download PDF onesheet – ‘The Series’>

_________________________________________________________________________________________

Awards:

WINNER: Award of Excellence; LA Movie Awards, USA. Best Visual Effects; LA Movie Awards, USA. Best Documentary; Image Gazer, USA. Honourable Mention; Indie Gathering, USA. USA. First Documentary, LA Arthouse, USA. Best Cinematography, LA Arthouse, USA. Best Documentary, LA Arthouse, USA. Best Political Documentary, Action on Film, USA.

Official Selections:

Marbella International Film Festival, SPAIN. Salt lake City, USA. White Sands International Film Festival, USA.

Carbon Nation

Carbon Nation is an optimistic, solutions-based, non-preachy, non-partisan, big tent film that shows tackling climate change boosts the economy, increases national & energy security and promotes health & a clean environment.

Public opinion is sliding the wrong way – far fewer people are concerned about climate change than even a year ago.

Carbon Nation was made to give an entertaining, informed and pragmatic primer about why it’s incredibly smart to be a part of the new, low-carbon economy. Even if you doubt the severity of the impact of climate change or just don’t buy it at all, this is a compelling and relevant film that illustrates how solutions to climate change also address other social, economic and national security issues.

We meet a host of entertaining and endearing characters along the way, including entrepreneurs, visionaries, scientists and the everyday man, all making a difference and working towards solving climate change. We already have the technology to combat most of the worst-case scenarios of climate change, and it makes business sense too.

Carbon Nation’s pioneering optimism and pragmatism are appealing across the political spectrum, and while other good films have been about problems, blame and guilt, Carbon Nation is a film that celebrates solutions, inspiration and action.

Secrets of the Tribe

This is the story of the unhealthy meeting of two cultures: an indigenous tribe, the Yanomami and the western anthropologists who came to the Amazon to study them. Over three decades the Yanomami Indians were transformed from the “last Stone Age tribe” so prized by those anthropologists to the most exhaustively documented and filmed tribe on earth.

Napoleon Chagnon built his reputation – and sold over a million books – by claiming to demonstrate the innate ferocity of Yanomami. He dubbed them The Fierce People. In 1968 his biggest expedition and most famous film were both lavishly funded by the U.S. Atomic Energy Commission. He targeted world-famous geneticist Dr James Neel, who literally wanted their blood – he was on the lookout for a ‘virgin soil’ population and was keen to know how diseases spread through such populations. Coincidentally or otherwise, a serious and deadly outbreak of measles happened during their expedition, killing hundreds in its wake.

Chagnon friend and fellow anthropologist Jacques Lizot, was a young prodigy and favoured student of the godfather of cultural anthropology and French intellectual icon, Claude Levi-Strauss. Like practically all other anthropologists in the field, they both distributed gifts, in order to ease their way into a tribe’s affections. “Chagnon is the golden goose for the Yanomami. He brings steel tools, machetes, fishhooks and they tell him what they think he wants to hear.” Lizot’s gifts included shotguns, but his favours were not confined to the academic and his illegal sexual predations amongst the Yanomami were kept sated over years, funded by the Collège de France and Académie Française over decades.

A leaked email from two top anthropologists notes: “This nightmarish story – a real anthropological Heart Of Darkness is beyond the imagining of even a Josef Conrad – though not, perhaps, a Josef Mengele.”

When China Met Africa

A historic gathering of over 50 African heads of state in Beijing reverberates in Zambia where the lives of three characters unfold. Mr Liu is one of thousands of Chinese entrepreneurs who have settled across the continent in search of new opportunities. He has just bought his fourth farm and business is booming.

In northern Zambia, Mr Li, a project manager for a multinational Chinese company is upgrading Zambia’s longest road. Pressure to complete the road on time intensifies when funds from the Zambian government start running out.

Meanwhile Zambia’s Trade Minister is on route to China to secure millions of dollars of investment.

Through the intimate portrayal of these characters, the expanding footprint of a rising global power is laid bare – pointing to a radically different future, not just for Africa, but also for the world.

China: The Rebirth of an Empire

China’s unprecedented growth has placed it on the verge of overtaking the United States as the world’s preeminent power. But what type of power will China become? In today’s interconnected and globalized world, the answer effects each and every one of us.

In Pakistan and Afghanistan, China’s humanitarian activities and investment in infrastructure have won it the hearts and minds of the people. Yet in Tibet and Xinjiang, China is reviled as an imperialistic abuser of human rights. Will China use its strength to dominate its neighbors and become a 21st century empire, or will China’s youth lead the country towards democracy?

Whether it’s a peaceful rise or potential threat, China’s 21st century emergence as a great world power will change the lives of everyone.