A Stone in Our Heart

A Mother and Daughter – Lillian and Jette –  are climbing up a mountain in Switzerland. A mountain that brings back a lot of memories.

They hike from cabin to cabin while they dig into a past which Lillian has spent many years trying to suppress: Jette was sexually abused by her stepfather throughout her childhood and youth. A part of the abuse took place in the same cabins that Jette and Lillian are now revisiting.

Jette has invited her mother to go on this trip because she needs to talk about what happened, and especially about Lillian’s role in it all. Jette loves her mother, but at the same time she can’t stand being close to her. Over the years Jette has begun to question whether her mother knew about the abuse or not. Naturally Jette feels a deep frustration. But she has a strong hope that if Lillian admits she knew about the abuse, Jette can find an opportunity to forgive her mother and reestablish a healthy relationship.

The mountain trip puts the two women’s relationship to the test. When Jette gets the conversation started, she doesn’t get the answer that she expected: Lillian denies that she saw or knew anything.

This is the starting point of a physically and emotionally life-changing journey, which forces the two women to face their own inner demons and to embrace the pain and the guilt, but also to have faith. The conversations intensify as the two women move up the mountain.

At one point it seems like this trip might be the last thing they will ever do together.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

Are All Men Pedophiles?

We live in a society that condemns pedophiles, though biological instinct and world cultures throughout history suggest that an attraction to adolescents is as natural as it is unavoidable. The fashion industry on the one hand sexualises ever younger girls while those who act on these instincts are reviled. The apparent hypocrisy at the heart of society forces the question: What do we mean then when we talk about Pedophilia?

This films broad canvas takes in how our evolution and biological make-up have through-out history created cultures where what would today be called Pedophilia has passed without note, and with the complicity of all religions.  It also looks at how media definitions differ to scientific ones, whether Pedophilia could be considered a sexuality, how the definition differs between modern societies as well as presenting the testimony of both victims and perpetrators.

In conclusion, we are faced with both the contradiction of a society which fetishizes youth and the question: Are All Men Pedophiles?