Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

Twilight of the Yakuza

The Yakuza, Japan’s organised crime syndicates, are a dying breed. Their members are aging and the government of Japan has launched a large-scale crackdown on them to eradicate them once and for all. But who are the Yakuza? The cancer of a nation or a necessary evil in a country with one of the lowest crime rates in the industrialised world?

Undoubtedly the Yakuza are involved in crimes including extortion, fraud, murder, drugs & gambling. However, Japan has one of the lowest crime rates in the industrialised world, with crimes related to drugs -officially against the Yakuza code of honour- or street gangs strikingly low, a fact that many contribute to the presence of the Yakuza. Deeply rooted in Japanese society, they are seen as a necessary evil and ‘problem solvers’. They have been around since the 1700s and were said to protect the weak from the strong, following a rigorous code of honour. Several clans even contributed aid for the victims of the recent earthquake and Tsunami, all reasons why the public perception of the Yakuza in Japan is not solely a negative one.

Unlike the Mafia, the Yakuza is a legal, public group making them relatively easy to check on. Their offices are public, their members registered by the police and Yakuza members went as far as freely admitting their guilt in cases of crime investigations, as a part of their code of honour. In reaction to strict government measures against them, the Yakuza has ceased all cooperation with the law. As the police concentrate their resources on the Yakuza, many criminals simply don’t register with clans anymore and start operating underground, evading the grasp of police. A clear trend is emerging towards a new structure of organised crime in Japan, resulting in a steep decrease in the numbers of the traditional Yakuza while the underground is soaring – including foreign Russian and Chinese mafia’s.

This documentary deals with the struggle of the Yakuza for its survival and the restructuring of the organized crime scene in Japan. Furthermore, unprecedented access to the secret world of the Yakuza gives you an insight on who the Yakuza really are: criminals, outcasts, but also family men and a part of Japanese society.