Tag Archives: capitalism

Crossing the Andes (series)

Half of Latin American countries number among the top economies in the world to do business in, and for many the continent is an investor’s paradise. Why should we keep an eye on Latin America, and which changes are taking place there right now?

As the backbone of South America – some 7000 kilometres long and passing through seven countries – the Andes mountain range is a good place to ask that question.

You’ll find Chilean capitalism in the smog of Santiago, and will travel 30 years back in time through the clouds of remote Bolivian mountain villages. Latino’s are known as a politically engaged people. Always fighting, but with a smile. Strong, but not tough as nails. The history of this continent is one of ups and downs. Sometimes there’s a glimmer of hope, then everything seems to fall apart again. Is the continent crawling, walking or about to fall down again?

Stef Biemans’ journey starts in Tierra del Fuego and ends in Colombia. Along the way, he searches out small stories about big issues, which illuminate contemporary South America.

 

Episode 1.  The Man-eating Mountain

Stef Biemans travels the ridge of the Andes and wonders how South Americans are doing in Potosí, the highest city in the world, and once one of its richest, but also one where life can be short.

In the mining town of Potosí, capitalism was born, as it were. Here, the first coin was struck using silver from the mine of the ‘rich mountain’, which is still in use. So much silver has been extracted from this imposing mountain, you could use it to build a bridge to Spain. But you could also build a bridge out of the bones of dead miners and slaves. On average, miners only make it to the age of 45.

 

Episode 2. The Skyscraper of Santiago

In the Chilean capital of Santiago, Stef visits South America’s highest skyscraper. It was once built as a symbol of progress, but now the tower represents the dark side to that success story: record depression and suicide rates.

The highest tower in South America rises out of the Santiago smog, a symbol of the strong neoliberal economic system. But almost every month, someone jumps off of it. Nowhere else are depression rates as high as in this city of remarkable economic prosperity. In and around this skyscraper, Stef tries to find out where it all went wrong. What are the prerequisites for success and how do people survive in the smog of neoliberalism?

 

Episode 3. El Paraíso Technológico

Stef travels to Argentina’s southernmost tip Ushuaia, and discovers an impressive electronics industry among the penguins. Since it’s become known that there are jobs to be had in Tierra del Fuego, the capital of Ushuaia draws countless South American fortune seekers. What is this growth doing to the mountains surrounding the town?

Terra del Fuego is the new migrant’s paradise of South America. Since word’s gotten out that on the southern tip of the continent you can easily find work in an Argentinian electronics plant, the city has boomed. The Argentinian government has declared the area a tax free zone and companies have flooded in with smartphone and television factorys.

Growth is so rapid here, that it feels like a threat to many people; what is the impact on the nature of the surrounding mountains and its biodiversity? In Tierra del Fuego, Charles Darwin studied man and animal, and discovered the principles of his theory of evolution. Can modern-day inhabitants adapt to these changes?

 

Episode 4. Eternal life

In Ecuador, Stef Biemans visits the valley of eternal life – where the high life expectancy of its inhabitants has astonished observers – and investigates its finite nature. What do spry centenarians in Ecuador right below the equator do in order to stay healthy, what provisions are there for them should they fall ill, and how do South Americans deal with their elderly?

The Vilcabamba valley in Ecuador is known for its healthy old people. The fit old man who interrupts his work in the field to firmly shake Stef Biemans’ hand shows an official proof of identity with a 1913 birthdate. A little bit later, he lets his hips do the talking when he’s dancing.

Others in the valley also dance, but it doesn’t mean they’re all happy. An 89-year-old woman says she’d like for it to be over. ‘God is keeping me alive. I’m waiting for my time to come.’ A voluntary ending to this earthly life is so unthinkable, Biemans is afraid to even broach the subject.

 

Episode 5. My Mother-in-Law stayed at home

In this episode we look at the role of the mother-in-law, because Latino’s tend to talk about them rather a lot.

In Latin America, folk tales, songs, novels and soap operas are not complete without a distrustful mother-in-law. Why is that, he wonders? And has the role of the mother-in-law changed, now the economy is booming and whole families don’t have to live under one roof anymore? Or are mothers-in-law still as picky and meddlesome as Latino men would have us believe? Maybe they have good reason to be so, because men aren’t always gentle with their women.

 

Episode 6. The Mother of Colombia

In the final episode of the series, we journey down the Magdalena River, which originates in the Andes and ends in the Caribbean Sea.

This is the most hopeful period in Colombia’s history: the peace treaty has been signed and the country looks towards the future as new roads and bridges are being constructed. At the same time, the Magdalena River, also known as the mother of the country, still means a lot to inhabitants. What will progress destroy?

Body a la Carte

We live in a world where self-image has become an obsession, where we can no longer ignore the role that science and technology play in our never-ending quest for beauty and youth.

Through touching and meaningful stories, as well as the testimonies of plastic surgeons, and interviews with experts from related fields, Body à La Carte explores the increasingly popular and fascinating phenomenon of cosmetic procedures.

In a booming industry where plastic surgery is just another product to purchase, who knows when we will bite? Even the sceptics have mirrors.

Resistencia

“A thoroughly captivating window into history as never told by the winners — beautiful, enraging, profoundly inspiring.” Naomi Klein

June 28th, 2009. The Honduran people are preparing to vote in the first referendum in the country’s history. But, instead of waking up to ballot boxes, they see soldiers carrying out the first coup d’état in Central America in three decades.

This is the story of the two thousand farming families who challenged the coup by taking over the plantations of the most powerful landowner in the country and converting them into worker-run cooperatives.

Shot over four years, the film is both a testament to the capacity of an organized movement to transform the most fertile land in the country, as well as an account of the coup regime’s violent attempts to get the land back.

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Burning From the Inside

German and Greek nationalists have paradoxically joined forces, and grown in numbers promoting a fascist agenda while on both sides, antifascists have risen to challenge them amidst a backdrop of global recession, finger-pointing and scapegoating. 

Burning from the Inside charts the rise of the Greek Nazis ‘Golden Dawn’ – the ‘monstrous’ child of the crisis – the changes they brought to Greek society after their entry to parliament, their collaboration with German Neo-Nazis in the formation of ‘Black International’, and their fall two years later with the murder of the anti-fascist Pavlos Fissas.

Through the trajectory of the party, we question the political and social structures of Greek leadership that fomented the rise of fascism and corruption, as well as the dis-function of Capitalism and Democracy in the country that gave birth to it. We also look at the role of Germany as the ‘queen of Europe’ and the extent to which she is responsible for developments in southern European countries.

While the rise of far right may seem unthinkable, dramatic scenes of racially motivated blood shed on the streets of Athens, police brutality linked to membership of far-right organisations and institutional racism in Greece tell a different story. Meanwhile, in Germany a more subtle, insidious message reaches the public with headlines blaming ‘lazy Greeks’ and other minorities within the country. Burning from the Inside is a visceral indictment of a deadly minority on the fringes of Europe that we ignore at our peril.

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

97% Owned

When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked – questions like: Where does money come from? Who creates it? Who decides how it gets used? And what does that mean for the millions of ordinary people who suffer when money and finance breaks down?

97% Owned is a new documentary that reveals how the creation of credit and the mystery that surrounds it, is at the root of our current social and economic crisis.

Referring to the 97% of the world’s money supply that is represented by credit this thought provoking film presents serious research and verifiable evidence on our economic and financial system and is the first documentary to tackle this issue from a UK-perspective

Featuring frank interviews and commentary from economists, campaigners and former bankers, it exposes the privatised, debt-based monetary system that gives banks the power to create money, shape the economy, cause crises and push house prices out of reach.

Fact-based and clearly explained, 97% Owned demonstrates how the power to create money is the piece of the puzzle that economists were missing when they failed to predict the crisis.

Zeitgeist: The Series

The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement.  For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series.

Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.

Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.

Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.

Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.”

The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie.

Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.

Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed.

Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions.

Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a “Resource-Based Economy”.

Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better.

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics.

The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health”.

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level.

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed.

Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way.

Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides.

Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.

 

download PDF onesheet – ‘The Movie’>
download PDF onesheet – ‘Addendum’>
download PDF onesheet – ‘Moving Forward’>
download PDF onesheet – ‘The Series’>

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Awards:

WINNER: Award of Excellence; LA Movie Awards, USA. Best Visual Effects; LA Movie Awards, USA. Best Documentary; Image Gazer, USA. Honourable Mention; Indie Gathering, USA. USA. First Documentary, LA Arthouse, USA. Best Cinematography, LA Arthouse, USA. Best Documentary, LA Arthouse, USA. Best Political Documentary, Action on Film, USA.

Official Selections:

Marbella International Film Festival, SPAIN. Salt lake City, USA. White Sands International Film Festival, USA.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

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