Eternal Spring: The Heist of China’s Airwaves

In March 2002, a state TV station in China was hijacked by members of outlawed spiritual group Falun Gong. Their goal was to counter the government narrative about their practice.

In the aftermath, police raids sweep Changchun City, and comic book illustrator Daxiong (Justice League, Star Wars), a Falun Gong practitioner, is forced to flee. He arrives in North America, blaming the hijacking for worsening a violent repression. But his views are challenged when he meets the lone surviving participant to have escaped China, now living in Seoul, South Korea.

Combining present-day footage with 3D animation inspired by Daxiong’s art, Eternal Spring retraces the event, and brings to life an unprecedented story of defiance, harrowing eyewitness accounts of persecution, and an exhilarating tale of determination to speak up for political and religious freedoms, no matter the cost.

Eternal Spring: The Heist of China´s Airwaves brings to life with stunning animation, the heist, and its repercussions.

¨an inspired mixed-media reflection¨
The Guardian

¨thrilling and emotional story of a group of Falun Gong practitioners who managed to take over Chinese State TV… A Story of immense bravery¨
Movies That Matter

¨A resounding success… an ultra-compelling, suspense-filled investigation¨
Avoir-Alire

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Winner of the Hot Docs Audience Award and the Rogers Audience Award at Hot Docs International Documentary Festival.

Winner of the Fischer Audience Award (Best International Feature) at the 24th Thessaloniki Documentary Festival.

Winner of the Human Values Award from the Greek Parliament. 
 
Recipient of Grand Jury Documentary Award – Special Mention at Movies That Matter Festival in The Hague. 

Activist Night film – Movies That Matter Festival.

Broken Harmony: China’s Dissidents

Broken Harmony: China’s Dissidents tells the story of Hua Ze, an ordinary Chinese citizen for whom a discovery of corruption led her into a hidden world of dissidents, citizen journalism, police harassment and kidnappings.

Once a mild mannered TV director, Hua Ze discovered that an old friend reporting on alleged corruption after the Sichuan earthquake had disappeared, along with any mention of him online. Following a trail of leads over the great internet fire wall of China, she discovers not just the fate of her friend, but the truth behind Sichuan’s fatal building code violations, a jaw-dropping array of human rights abuses across China and comes to the realization that the entire internet in China is a state controlled fiction.

Hua’s awakening takes her into a new world of dissidents, journalists and human rights lawyers. As she begins her own reporting, pressure from the government is swift, and her world is turned upside down. She is forced out of her job and placed under surveillance. One by one, her new friends are arrested or detained. Phones are tapped and secretive threats and warnings are made. But Hua cannot turn a blind eye to the corruption and she pays the price.

When ordinary Chinese citizens go to extraordinary lengths to fight human rights abuses, the risks are enormous, even life-threatening. Broken Harmony reveals Hua’s courageous acts and willingness to lose everything to fight for justice and the rule of law.

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.