Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

Somaliland: An Experiment In Democracy

In 1991 the northern section of Somalia declared itself an independent democratic state, since then Somaliland has struggled on its path to find international recognition while the rest of Somalia has become infamous for anarchy and violence.

Somaliland: An Experiment in Democracy follows the 2012 election spotlighting the difficulties of running an election in an undeveloped country with a fragile infrastructure. While threats from outside (including terrorism and piracy) and inside (such as factionalism and vote rigging) loom over the process, one man is tasked with keeping the election fair.

We follow Ali – an ex-investment banker from Toronto – who gave up his old life to run the electoral commission, and it is through him that we see the scale of the challenge facing Somaliland’s nascent democracy.

Somaliland: An Experiment in Democracy is a close up look at how democracy functions under difficult and unfamiliar circumstances, and gives an insight into why so many countries fail in their attempts to have a system based on popular representation.

Inside Her Sex

Inside Her Sex is a thought-provoking documentary that explores female sexuality and shame through the eyes and experiences of three women from different walks of life, each brave enough to chart her own course of sexual discovery.

While we live in a highly sexualized society, the messaging around sexuality, particularly female sexuality, is distorted and rife with shame. What we should look like, who we should want, what we should desire…in fact, who we should be, is dictated to us from screens and pages and people. As if there is one correct answer.

Stepping outside the common narrative is never straightforward. Exposing our deeper selves can be terrifying, even risky.

Candice, Elle, and Samantha have little in common. Not their age, not their hometowns, not their family circumstances. But they are all women. They are all sexual. And be it through circumstance or happenstance, they have each faced their sexual selves head on, and chosen to step outside the bounds of what society has dictated they should be, raising some interesting questions:

What happens if we are able to tap into our innate sexuality? To push beyond the bounds of societal structure and expectation? To stand up to powerful messaging and divert from the prescribed course?

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.

 

Freedom From Choice

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live.

But what if these choices are just an illusion?

In an era where regulations and red tape rule every industry, where lobby groups and big business wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all?

Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated, and tells us who stands to gain.

Guardians of the New World

Until recently, many of us thought we were safe online and that the Internet provided a safe haven to share ideas and democratise information with the security of privacy. But then headlines emerged with stories of Wikileaks, Snowden and the NSA.

Guardians of the New World introduces us to the world of hacker culture. Emerging from the 70’s counterculture around conceptions of personal freedom, decentralisation of power and sharing, hacking really came to prominence with the emergence of the Internet as a ubiquitous public forum from the late 90’s onwards.

Hackers have emerged as both a threat to government and civilian security, or its saviour, often depending on your point of view.

Governments are starting to see the dangers presented both from outside their borders and within from this subculture of devoted keyboard warriors and are responding with force. In the USA the authorities do their best to keep up with those suspected of online subversion, while other governments have threatened to switch off the Internet all together. Far from being safe behind their screens, the new digital revolutionaries are being thrown behind bars, or in some countries like Syria tortured, while hackers in other countries do their best to support them, and keep their networks secure.

Guardians of the New World gives context to this often misunderstood subculture. For behind closed doors, in bedrooms and living rooms across the world, a war is being fought that will affect us all, and the battlefield is online.

An Invisible Threat

We cannot see the waves, we cannot hear them, we cannot touch them, but they are all around us, invading the air, irradiating our body and the environment.

An Invisible Threat looks at the relationship between microwave technology and health, investigating the conflicts of interest among industry representatives, politicians, scientists and consumers that leave us unprotected to the effects of radiation.

Wireless networks irradiate microwaves indiscriminately across cities, villages and the countryside of all developed countries. This increasing exposure disturbs the biological processes that are essential for the healthy growth of human beings, animals and plants – it especially affects children and teenagers.

The reasonable doubt that has arisen from independent scientific reports regarding the harmful effects of these technologies has led the Council of Europe to recommend its members countries apply the Precautionary Principle. In June 2011, the International Agency for Research on Cancer (IARC), a body of the World Health Organization (WHO), admitted for the first time that microwaves produced by mobile phones could be “possible carcinogens”.

Our investigation delves  into three groups: the telecommunications industry (mobile telephone companies, MMF); official organisations (WHO, IARC, ICNIRP) and official scientific reports (BioInitiative, Interphone, CEFALO).

In parallel, An Invisible Threat takes in the daily life of Minerva Palomar, a woman affected by the electromagnetic hypersensitivity syndrome and the obstacles she needs to overcome in order to lead a normal life.

An Invisible Threat has a clear international focus, dealing with a social issue of global importance. Microwave effects are currently being analysed and debated in almost all developed countries. The question is, are we prepared for the answers.

 

 

Road to Rio

Featuring Pele, Zico, Gilberto Silva and Beberto.

In greater Fortaleza in the north of Brazil there were 12,777 children and adolescents recorded to be in child labor, living and working on the streets in 2013. ‘Road to Rio’ follows 9 of them who won the chance to play in the 2014 Street Child World Cup. The teens go on an inspiring, emotional and often amusing journey whilst they prepare and play in the tournament. This is more than a fascinating window into the lives of street kids; this is their chance to shine.

A timeless documentary showing the effect team work and sense of purpose can have on the human soul. Featuring commentary from Pele, Bebeto, Zico and Gilberto Silva.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

Who Rules America?

Who Rules America? takes a comprehensive look into the governing system of the United States of America and reveals the behind-the-scene powers that rule the nation. There are two Americas; one in which people have freedom in choosing their leaders within the framework of the constitution living in the land of the free, and another, wherein all is dedicated to the ruling 1%  and within which a  hidden network of power governs including the media, Wall Street , the Military and Corporations.

This new expose from Danny Schechter (In Debt We Trust, WMD: Weapons on Mass Deception) lifts the lid on the true decision makers behind the worlds self-proclaimed democratic  role model.


Beautiful Faces

Beautiful Faces offers a compelling look at one of the world’s most remarkable hospitals, the disfigured young patients to whom it offers new lives, and the team of surgeons, physicians, and medical professionals who believe it’s the best place in the world to practice their unique, life-transforming craft.

You’ll come away convinced that health-care can be affordable, humane, and excellent, and that every one of us deserves a face with which we can bravely meet the world.

Hospital General Gea Gonzalez, located in Mexico City’s frenetic Tlalpan district, is surrounded by a high metal-barred fence, its entrances guarded by policemen carrying automatic weapons. On any day, literally thousands of impoverished Mexicans wait patiently for services, often for many hours, yet the hospital’s plastic and reconstructive surgery unit.

It is a hospital that ably demonstrates that even the very poor can receive excellent medical care at costs that don’t bankrupt health-care systems and that everyone can be offered the basic human right of a normal face.

Beautiful Faces interweaves the stories of patients and their families who come to the reconstructive plastic surgery unit at Hospital Gea Gonzalez seeking physical transformations that will renew their own and their loved ones lives with the personal stories of the enormously talented medical professionals whose work is both their passion and their gift to humankind.

The film chronicles the remarkable community of caregivers and care-receivers who come together on the hospital’s fascinating fourth floor, and who profoundly influence each others lives. From Dr. Fernando Ortiz Monasterio, the beloved patriarch whose demands for excellence from his subordinates remain exacting, to four-year-old Sebastián Castillo, whose irrepressible enthusiasm for life helps him cope remarkably with the challenges of Crouzon’s syndrome, Beautiful Faces is a mosaic of stories–the richly visual tales of people who meet in a singular place and who collectively understand that in valuing individual lives and striving to make them better, we value all of humanity.

Beautiful Faces ultimately demonstrates that, in many ways, the distinction between patients and caregivers is only an illusory one, and that much more than cutting, sawing, and sewing, the essential task of the hospital is the freeing of the human spirit. It is work that allows doctors and patients alike to look comfortably in the mirror and understand that they are vitally important members of the human family.

97% Owned

When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked – questions like: Where does money come from? Who creates it? Who decides how it gets used? And what does that mean for the millions of ordinary people who suffer when money and finance breaks down?

97% Owned is a new documentary that reveals how the creation of credit and the mystery that surrounds it, is at the root of our current social and economic crisis.

Referring to the 97% of the world’s money supply that is represented by credit this thought provoking film presents serious research and verifiable evidence on our economic and financial system and is the first documentary to tackle this issue from a UK-perspective

Featuring frank interviews and commentary from economists, campaigners and former bankers, it exposes the privatised, debt-based monetary system that gives banks the power to create money, shape the economy, cause crises and push house prices out of reach.

Fact-based and clearly explained, 97% Owned demonstrates how the power to create money is the piece of the puzzle that economists were missing when they failed to predict the crisis.