Tag Archives: culture

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.

Zeitgeist: The Series

The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement.  For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series.

Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.

Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.

Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.

Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.”

The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie.

Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.

Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed.

Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions.

Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a “Resource-Based Economy”.

Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better.

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics.

The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health”.

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level.

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed.

Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way.

Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides.

Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.

 

download PDF onesheet – ‘The Movie’>
download PDF onesheet – ‘Addendum’>
download PDF onesheet – ‘Moving Forward’>
download PDF onesheet – ‘The Series’>

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Awards:

WINNER: Award of Excellence; LA Movie Awards, USA. Best Visual Effects; LA Movie Awards, USA. Best Documentary; Image Gazer, USA. Honourable Mention; Indie Gathering, USA. USA. First Documentary, LA Arthouse, USA. Best Cinematography, LA Arthouse, USA. Best Documentary, LA Arthouse, USA. Best Political Documentary, Action on Film, USA.

Official Selections:

Marbella International Film Festival, SPAIN. Salt lake City, USA. White Sands International Film Festival, USA.

Are All Men Pedophiles?

We live in a society that condemns pedophiles, though biological instinct and world cultures throughout history suggest that an attraction to adolescents is as natural as it is unavoidable. The fashion industry on the one hand sexualises ever younger girls while those who act on these instincts are reviled. The apparent hypocrisy at the heart of society forces the question: What do we mean then when we talk about Pedophilia?

This films broad canvas takes in how our evolution and biological make-up have through-out history created cultures where what would today be called Pedophilia has passed without note, and with the complicity of all religions.  It also looks at how media definitions differ to scientific ones, whether Pedophilia could be considered a sexuality, how the definition differs between modern societies as well as presenting the testimony of both victims and perpetrators.

In conclusion, we are faced with both the contradiction of a society which fetishizes youth and the question: Are All Men Pedophiles?

Secrets of the Tribe

This is the story of the unhealthy meeting of two cultures: an indigenous tribe, the Yanomami and the western anthropologists who came to the Amazon to study them. Over three decades the Yanomami Indians were transformed from the “last Stone Age tribe” so prized by those anthropologists to the most exhaustively documented and filmed tribe on earth.

Napoleon Chagnon built his reputation – and sold over a million books – by claiming to demonstrate the innate ferocity of Yanomami. He dubbed them The Fierce People. In 1968 his biggest expedition and most famous film were both lavishly funded by the U.S. Atomic Energy Commission. He targeted world-famous geneticist Dr James Neel, who literally wanted their blood – he was on the lookout for a ‘virgin soil’ population and was keen to know how diseases spread through such populations. Coincidentally or otherwise, a serious and deadly outbreak of measles happened during their expedition, killing hundreds in its wake.

Chagnon friend and fellow anthropologist Jacques Lizot, was a young prodigy and favoured student of the godfather of cultural anthropology and French intellectual icon, Claude Levi-Strauss. Like practically all other anthropologists in the field, they both distributed gifts, in order to ease their way into a tribe’s affections. “Chagnon is the golden goose for the Yanomami. He brings steel tools, machetes, fishhooks and they tell him what they think he wants to hear.” Lizot’s gifts included shotguns, but his favours were not confined to the academic and his illegal sexual predations amongst the Yanomami were kept sated over years, funded by the Collège de France and Académie Française over decades.

A leaked email from two top anthropologists notes: “This nightmarish story – a real anthropological Heart Of Darkness is beyond the imagining of even a Josef Conrad – though not, perhaps, a Josef Mengele.”

When China Met Africa

A historic gathering of over 50 African heads of state in Beijing reverberates in Zambia where the lives of three characters unfold. Mr Liu is one of thousands of Chinese entrepreneurs who have settled across the continent in search of new opportunities. He has just bought his fourth farm and business is booming.

In northern Zambia, Mr Li, a project manager for a multinational Chinese company is upgrading Zambia’s longest road. Pressure to complete the road on time intensifies when funds from the Zambian government start running out.

Meanwhile Zambia’s Trade Minister is on route to China to secure millions of dollars of investment.

Through the intimate portrayal of these characters, the expanding footprint of a rising global power is laid bare – pointing to a radically different future, not just for Africa, but also for the world.

Egypt: Behind the Revolution

Filmed primarily in Egypt in March of 2011, soon after the January revolution, this film introduces you to the Egyptians who lived under Mubarak and helped to bring him down.

Including interviews with revolutionaries from all walks of life fighting for a new start in Egypt, we get an inside glimpse at the sequence of events that led to what some are calling the first Facebook revolution.  Ordinary people give their reasons for taking to the streets of Egypt to call for freedom and reforms, and what led them to demand Mubarak’s resignation.

This broad-ranging film gives the events of January 2010 both the context necessary to fully understand how a powerful regime could fall so suddenly, as well as on-the-ground testimonials that fill in important details that went unreported at the time.

From the brewing discontent that preceded the revolution, to the 18 days of often brutally suppressed protests when success seemed far from inevitable, this film puts us in the centre of the action. Finally, Egypt: The Story Behind the Revolution captures the peoples joy and relief when Mubarak steps down after thirty years in power.

Facing the Fat

Kenny Saylors, after years of being healthy and athletic, became severely overweight and after trying various diets decided to do something drastic about it. With the support of his Doctor, he decided to stop eating for 55 days, drinking only water.

Facing the Fat documents his journey, from the realisation that he had a physical and mental addiction to the chemicals in junk food, to the detox and repair that his body goes through during this record-breaking fast. It also looks at the wider implications of over-eating for the individual, society and the world at large.

Obesity has become one of the most overwhelming diseases in modern society costing American taxpayers $99 billion every year, while the number of overweight people has surpassed the number of people suffering from malnutrition by 200 million.

Facing the Fat presents an entertaining and inspiring challenge but also makes the serious point, that obesity is not just a personal struggle, but one that has far reaching implications for us all.

Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.

A Film About Races

We follow Welshman Paul Duddridge as, with the help of some of the world’s greatest writers, thinkers and professors, he pushes aside society’s taboos to find out what “race” really is. Along the way he attempts to solve the Middle East peace crisis, buys hundreds of twinkies and desperately tries to find contestants to join him for a mini-Olympics staged in Los Angeles where teams are split by race rather than nationality.

There is a serious point to the seemingly irreverent approach: if we can’t easily define race, why can it sometimes seem so easy to define racism?

Filmed on location in Los Angeles, Texas, New York, New Jersey, Virginia, Ohio, and the UK – “A Film About Races” is an entertaining exploration of the common myths and misconceptions about race.

Afghan Memento

In 1988, Olivier Brodard -a twenty one year old idealist- made a six-month humanitarian trip to Afghanistan under Soviet occupation with $50,000 in his backpack destined for the local populations.

Entering illegally via Pakistan Olivier, along with his friend Paul Castella, made the arduous journey on foot, camel and tank to the Pansir Valley. They met commander Massoud and shared the daily life of the afghan people witnessing first hand the front line of the Afghan battle against the Soviet Union.

When Olivier reluctantly returned home to Switzerland, he had a terrible car accident. After weeks in a deep coma, he woke up with severe amnesia and the new challenge of rebuilding his life.

With the help of his detailed diaries and photographs taken at the time, Olivier attempts to explore his memories and recover a part of his own identity that had been lost.

Afghan Memento tells the story of a fearless journey made by two men in their prime, but more than that, it is an elegant rendering of where our experiences, memories and identity intersect.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

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