Sieged: The Press Vs Denialism

As Brazil’s death toll surpasses a quarter of a million, President Jair Bolsonaro tells Brazilians to “stop whining.” Leading his country through a global pandemic with denialism, propaganda and unchecked bravado, he has brought his country to the edge of disaster.

This immersive documentary rolls back the clock to when the pandemic first started, telling the story of the frontline journalists who were desperate to warn the country of an impending public health disaster. Sieged holds up an uncanny mirror to the events in the US and the rest of the world, as Brazilians see their health ministers fired and undermined, racially motived killings proliferate, and journalists disempowered and blamed every step of the way with allegations of reporting fake news. Elsewhere we see hospitals at breaking point and other essential service workers pushed to the edge, as families lose their loved ones in droves.

This documentary takes viewers behind the scenes, into the newsrooms, behind the cameras and into the press scrums for a deeper view of the political turmoil and corruption brought to light as COVID-19 hit Brazil.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.