Tag Archives: film

Resistencia

“A thoroughly captivating window into history as never told by the winners — beautiful, enraging, profoundly inspiring.” Naomi Klein

June 28th, 2009. The Honduran people are preparing to vote in the first referendum in the country’s history. But, instead of waking up to ballot boxes, they see soldiers carrying out the first coup d’état in Central America in three decades.

This is the story of the two thousand farming families who challenged the coup by taking over the plantations of the most powerful landowner in the country and converting them into worker-run cooperatives.

Shot over four years, the film is both a testament to the capacity of an organized movement to transform the most fertile land in the country, as well as an account of the coup regime’s violent attempts to get the land back.

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.

 

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

Guardians of the New World

Until recently, many of us thought we were safe online and that the Internet provided a safe haven to share ideas and democratise information with the security of privacy. But then headlines emerged with stories of Wikileaks, Snowden and the NSA.

Guardians of the New World introduces us to the world of hacker culture. Emerging from the 70’s counterculture around conceptions of personal freedom, decentralisation of power and sharing, hacking really came to prominence with the emergence of the Internet as a ubiquitous public forum from the late 90’s onwards.

Hackers have emerged as both a threat to government and civilian security, or its saviour, often depending on your point of view.

Governments are starting to see the dangers presented both from outside their borders and within from this subculture of devoted keyboard warriors and are responding with force. In the USA the authorities do their best to keep up with those suspected of online subversion, while other governments have threatened to switch off the Internet all together. Far from being safe behind their screens, the new digital revolutionaries are being thrown behind bars, or in some countries like Syria tortured, while hackers in other countries do their best to support them, and keep their networks secure.

Guardians of the New World gives context to this often misunderstood subculture. For behind closed doors, in bedrooms and living rooms across the world, a war is being fought that will affect us all, and the battlefield is online.

America’s Surveillance State

We live in the United States of Surveillance – with cameras positioned on every street corner and much more invisible spying online and on the phone. Anyone paying attention knows that privacy is dead. All of this is not happening by accident – well funded powerful agencies and companies are engaged in the business of keeping tabs on what we do, what we say, and what we think.

To many in the world today, the face of America also has a big nose for sniffing and sifting mountains of data – phone calls, emails and texts. And with many mouths silenced by paranoia to keep what they decide is secret, secret.  America has become a Surveillance-Industrial State where everyone’s business has become its business, and where one huge US intelligence Agency has been given the sanction and unlimited amounts of money to spy on the whole world.

Mass Surveillance is the focus of this new 6 part investigative documentary series examining who is watching whom and why.

The Manor

Shawney calls himself a filmmaker, but he’s been a strip-club manager for longer. When he was six his father bought “The Manor”, a small-town strip club.

Thirty years later, the family’s lifestyle has got the better of them. While his 400-pound father prepares for stomach-reduction surgery, his 85-pound mother has her own complicated relationship with food. Shawney’s role as struggling filmmaker and outcast son provides a rare glimpse into a family facing the consequences of their livelihood and dependence.

Told with humor and frankness, The Manor is an intimate portrait of people struggling to call themselves a family.

“There’s more than a faint echo of ‘Grey Gardens’ in this Canadian-gothic portrait of an unusual family business.”
Variety

“The Manor… [rises] to the ranks of some of the best family portrait documentaries.”
Indiewire

“in the vein of Capturing the Friedmans and Crazy Love”
Filmmaker Magazine 

“78 minutes rich with character, incident, friction, deadpan humour and voyeuristic thrills.”
The Globe & Mail

***Opening Night Film – Hot Docs***
***Official Competition – Karlovy Vary – Winner, Honorable Mention Best Documentary***
***Official Competition Opening Night – Zurich***
***Official Competition – Woodstock – Winner, Best Editing***
***Official Selection – Bergen***
***Official Selection – Goteborg***
***Official Selection – DOCNYC***
***Official Selection – Antenna***
***Official Selection – DMZ***

ISIL: Rebranding An Old Story

ISIL (Islamic State of Iraq and Levant) has undoubtedly become a real, illusive threat to the whole of the Middle East. In spite of what we see on the surface, so many questions have arisen that give pause for reflection about the many factors involved in sustaining this terror group. Who are funding them? Who benefits most from the disorder and chaos across the region? Who are the major players behind the scenes?

This comprehensive documentary answers all of these questions. It takes us to the formation of ISIL explaining the process through which they have been funded, armed, and equipped by countries including the US, Turkey, Qatar, Saudi Arabia and more, and explores how western interference in the region has led to the chaos in which ISIL are able to thrive.

Fatherland

Fatherland is a controversial coming-of-age documentary set in the remote South African bush. It follows a group of Afrikaner boys over 9 days at a military camp in the spirit of their fathers before them.

“You’ve got these millions and millions of blacks around you. Smothering you and killing you.”

However, what starts out as basic training, fitness and camaraderie soon intensifies as the true nature of the camp is revealed and the boys are forced to question their place in the ‘New South Africa’.

“One must look at the negro not as one’s equal but as a child. A black man has the intelligence level of a 14 year old white boy.”

These camps are designed to recreate a sense of Nationalism amongst the next generation of Afrikaaners, though as their training progresses darker ideological elements emerge revealing the stark realities of their training and indoctrination.

“We have the men. We just need to plant the will in you because you’ve been brain washed by old Mandela. Be proud of your race”

The film follows three particular boys and Col. Franz Jooste -an ex-SADF soldier that fought for his country pre 1994 – and focuses on the conflicting views developed by the boys. Under the strict leadership of their camp leader, they struggle to find their identity within their own communities and within their ‘rainbow’ nation at large.  The children are forced to participate in a physically and mentally grueling process that tests their values, believes and identities on every level.

“The truth is that there will definitely be a war in this country. So I’m preparing myself for a war that’s coming.”

Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?