Tag Archives: government

Foul Play

Foul Play takes us into the shady world of football match fixing across Asia, where government officials and corporate club owners conspire to ensure that the outcome of the game is determined long before the whistle blows. We follow the story of Simon McMenemy – an English football coach parachuted in to save an Indonesian team after shooting to fame in the Philippines managing their national team. After overcoming his initial culture shock, it becomes clear that the best team doesn’t necessarily win.

A sophisticated network of match fixers have an iron grip on the game, players on low salaries are vulnerable to bribes and coaches who raise questions can be removed by team owners. 

Foul Play uncovers, with startling new evidence, a world where international tournaments are set up purely to be fixed, players are given specific instructions on exactly when to take a dive and even when the match isn’t fixed, the referees can ask for a kick back just to ref impartially. As Simon’s frustration grows, it becomes clear that the corruption that is choking Indonesian Football, is the same that is holding back the region across every field.

The Coming War on China

The Coming War on China, from award winning journalist John Pilger, reveals what the news doesn’t – that the world’s greatest military power, the United States, and the world’s second economic power, China, both nuclear-armed, may well be on the road to war. 

Nuclear war is not only imaginable, but planned. The greatest build-up of NATO military forces since the Second World War is under way on the western borders of Russia. On the other side of the world, the rise of China is viewed in Washington as a threat to American dominance. 

To counter this, President Obama announced a ‘pivot to Asia’, which meant that almost two-thirds of all US naval forces would be transferred to Asia and the Pacific, their weapons aimed at China. A policy which has been taken up by his successor Donald Trump, who during his election campaign said “We can’t continue to allow China to rape our country and that’s what they’re doing”.

Filmed on five possible front-lines across Asia and the Pacific over two years, the story is told in chapters that connect a secret and ‘forgotten’ past to the rapacious actions of great power today and to a resistance, of which little is known in the West.

Bad Hombres

Bad Hombres explores the most heavily used migration route on Earth. Journalist Stef Biemans traveled between Guatemala and the US to see what the so-called ‘bad hombres’ hope to find in the USA.
Who are the people who inspired the building of a wall on the Mexican border?

“Biemans stays calm at all times and defers to his subjects. The result is rich and integral television, sometimes moving and always captivating”

De Volkskrant

Also available as a five part series:

Episode One:

Episode Two:

Episode Three:

Episode Four:

Episode Five:

91%: A Film About Guns in America

America’s 325 million residents own an estimated 347 million firearms. Not surprisingly, gun violence has become one of the most urgent public health issues facing Americans today.

In 91%, a cross-section of U.S. gun violence victims tell their heartbreaking stories of loss, pain, and a heroic search for hope in a nation stalled in a senseless gun control debate. Throughout these otherwise unrelated shootings, we find a common thread – the gunmen had all-too- easy access to the virtually untraceable, high-powered weaponry used in their attacks.

In the wake of the Sandy Hook Elementary School massacre, a 2013 poll revealed that 91% of Americans support comprehensive background checks – a factor that could prevent thousands of similar gun violence tragedies nationwide. Yet, divisive political rhetoric and congressional gridlock continues to perpetuate a flawed system that hurts communities across the country.

Moving beyond the confusing gun control politics and avoiding any discussion about the often-unpredictable motivations of rampage killers, 91% shows that Americans almost unanimously support both 2nd amendment rights and common sense regulation. The film finds a shared language between citizens on both sides of the issue, encouraging them to move common sense policy forward by speaking up in a conversation typically dominated by firearm lobbyists and manufacturers.

By highlighting the impact of unregulated gun sales on schools, families, and communities across the country, 91% addresses the real problems and possible solutions to gun violence in America. It’s something we all agree about, we just don’t know it yet.

Out Run

As leader of the world’s only LGBT political party, Bemz Benedito dreams of being the first transgender woman in the Philippine Congress. But in a predominantly Catholic nation, rallying for LGBT representation in the halls of Congress is not an easy feat.

Bemz and her eclectic team of queer political warriors must rethink traditional campaign strategies to amass support from unlikely places. Taking their equality campaign to small-town hair salons and regional beauty pageants, the activists mobilise working-class trans hairdressers and beauty queens to join the fight against their main political opponent, a homophobic evangelical preacher, and prove to the Filipino electorate that it’s time to take the rights of LGBT people seriously. But as outsiders trying to get inside the system, will they have to compromise their political ideals in order to win?

Culminating on election day, Out Run provides a unique look into the challenges LGBT people face as they transition into the mainstream and fight for dignity, legitimacy, and acceptance across the globe.

Out Run from Sideways Film on Vimeo.

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

Somaliland: An Experiment In Democracy

In 1991 the northern section of Somalia declared itself an independent democratic state, since then Somaliland has struggled on its path to find international recognition while the rest of Somalia has become infamous for anarchy and violence.

Somaliland: An Experiment in Democracy follows the 2012 election spotlighting the difficulties of running an election in an undeveloped country with a fragile infrastructure. While threats from outside (including terrorism and piracy) and inside (such as factionalism and vote rigging) loom over the process, one man is tasked with keeping the election fair.

We follow Ali – an ex-investment banker from Toronto – who gave up his old life to run the electoral commission, and it is through him that we see the scale of the challenge facing Somaliland’s nascent democracy.

Somaliland: An Experiment in Democracy is a close up look at how democracy functions under difficult and unfamiliar circumstances, and gives an insight into why so many countries fail in their attempts to have a system based on popular representation.

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Burning From the Inside

German and Greek nationalists have paradoxically joined forces, and grown in numbers promoting a fascist agenda while on both sides, antifascists have risen to challenge them amidst a backdrop of global recession, finger-pointing and scapegoating. 

Burning from the Inside charts the rise of the Greek Nazis ‘Golden Dawn’ – the ‘monstrous’ child of the crisis – the changes they brought to Greek society after their entry to parliament, their collaboration with German Neo-Nazis in the formation of ‘Black International’, and their fall two years later with the murder of the anti-fascist Pavlos Fissas.

Through the trajectory of the party, we question the political and social structures of Greek leadership that fomented the rise of fascism and corruption, as well as the dis-function of Capitalism and Democracy in the country that gave birth to it. We also look at the role of Germany as the ‘queen of Europe’ and the extent to which she is responsible for developments in southern European countries.

While the rise of far right may seem unthinkable, dramatic scenes of racially motivated blood shed on the streets of Athens, police brutality linked to membership of far-right organisations and institutional racism in Greece tell a different story. Meanwhile, in Germany a more subtle, insidious message reaches the public with headlines blaming ‘lazy Greeks’ and other minorities within the country. Burning from the Inside is a visceral indictment of a deadly minority on the fringes of Europe that we ignore at our peril.

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

Groundswell Rising

Groundswell Rising shows how Fracking – an untested energy extraction process – has contaminated drinking water and jeopardized health. We meet scientists, doctors and farmers across the political spectrum engaged in a David and Goliath struggle against Big Oil and Gas, decrying a process that puts profits over people.

Homeowners near wells suffer from respiratory ailments and property devaluation. A former industry employee shows skin lesions and edema, a result of working on drilling rigs, while others witness mistakes (5% of all wells leak) and explosions, against a back drop of rising ill health, as more and more suffer, from nose bleeds to asthma.

But there is cause for hope.

Local mothers groups unite to win some protections, while lease holders outraged by the corporations strong-arm tactics win local bans. Common Cause uncovers corruption as corporations buy influence to evade environmental protection laws, and the movement begins to gather momentum as actor Mark Ruffalo and singer Natalie Merchant support—and sometimes lead—their efforts.

Grassroots efforts have achieved bans, moratoriums, and referendums on Fracking, giving hope to others worldwide faced with the same nightmare. Transcending the genre of environmental film, Groundswell Rising’s passionate stories inspire and empower.

“Groundswell is ultimately a rousing, convincing rallying cry that the little guys, working in numbers, can triumph” LA Weekly

“But however you stand on the issue, you’re likely to be moved by the film’s portraits of grassroots activists managing to make their voices heard despite the opposition of major corporations and the big money at their disposal.” The Hollywood Reporter