Ticking Time Bomb

Ticking Time Bomb: The Truth Behind Takata Airbags follows the Takata whistleblower and former engineers as they unveil a deadly corporate cover-up leading to the largest international recall in history.

There’s a good chance you or someone you love is driving one of 100 million cars with a pipe bomb ticking away in their steering wheels. Japan’s Takata Corporation put defective airbags in one out of every four cars on American roads, including some of the most expensive rides in the world – BMW’s, Mercedes, Ferraris, and Teslas – but expect no help from the manufacturer or the government. Takata’s airbags have already killed or maimed more than 350 people and are on track to blast at least 2,000 more.
We showcase evidence that top Takata engineers and executives were informed in early reports the airbags were dangerous explosives before and after they went to market. More than 100 million vehicles worldwide continue to drive with defective airbags as the recall continues, and most drivers have no idea their airbag may be the next to cause irrevocable harm – or death.

The Watch Or The Time

´You have the watches, we have the time´, a Taliban commander infamously warned an American in 2002 Afghanistan. It was ominously accurate. Months earlier, America had swiftly ousted a flailing Taliban government, pledging to rebuild the embattled country. Fifty nations joined the ‘Operation Enduring Freedom´ war machine and for two decades, foreign armies poured into Afghanistan along with eye-watering amounts of foreign aid funding. Yet now the Taliban is back in charge of the entire country. So what went wrong? 

The Watch Or The Time explores America and its allies’ ill-fated offensive in Afghanistan told by the foreigners and Afghans who lived it. The film tracks the arc of America’s longest war in modern history with these personal experiences, looking at the pitfalls of military intervention, humanitarian aid and the culture clash through the legacy of the West’s efforts in Afghanistan.

Did the thousands of expat-nation-builders foresee a Taliban victory? After so many other previous invasions, did the Afghans see the writing on the wall? And what is the price of the so-called peace in Afghanistan today?

You’ll meet a German armoured car salesman, an American sports trainer and women’s rights activist, a Canadian NATO psychological operations specialist, an Australian war photographer, an Afghan female graffiti artist from the Taliban heartland; Kandahar, Kabul University’s debate club vice-president, a local media producer dubbed Afghanistan’s Number 1 fixer, and a senior Taliban commander.

You’ll see ex-pats grapple with what they’ve left behind, Afghans struggle to make sense of the dramatic shift in their fates, while others celebrate the Taliban’s win.

As America and its allies try to wash their hands of responsibility in Afghanistan, The Watch Or The Time puts it front and centre again. This film presents the perspectives and ultimately asks, was it worth it? You decide.

Medicating Normal

Millions of people worldwide are physically dependent on commonly prescribed psychiatric drugs. While these drugs can provide effective short-term relief, pharmaceutical companies have hidden -from both doctors and patients- their dangerous side effects, addictive nature and long-term harm.

Combining cinema verité and investigative journalism, Medicating Normal follows the stories of those whose lives have been torn apart by the very medications they believed would help them. Expert testimony and undercover footage reveal a systemically corrupt industry.

Medicating Normal is the untold story of the disastrous consequences that can occur when profit-driven medicine intersects with human beings in distress.

100 Million Views

With dark humour and caustic wit, 100 Million Views uncovers the truth about a platform that promised transparency and democracy, but hides an exploitative, censored and unaccountable underbelly.

After years making Youtube videos without success, Itamar Rose sets out on a mission – to discover the secrets of what makes a video go viral. Along the way he meets with YouTube stars past and present, from early viral sensations such as ‘The Double Rainbow’ and ‘David After Dentist’ to the modern breed of Influencers who have fine tuned the art of audience building, algorithmic tampering and fan engagement.

Itamar’s mission pulls back the curtain on an industry where even the viral success stories begin life with views bought from ‘click farms’, experts explain to us how success still depends on marketing experience and partnerships beyond the reach of ordinary YouTubers, boot camps train the next generation of fame hungry children and even the most unassuming creators are drawn into cynical practices that reward ‘gaming the system’.

As we go deeper, YouTube stars fall by the wayside exhausted by the demands to constantly create and ‘feed the beast’ or disappear from the rankings, and Itamar himself is ejected from a YouTube event for asking difficult questions.

While Itamar’s journey takes him into the heart of the YouTube machine, difficult questions emerge about how exactly this platform that was supposed to give everyone a voice, has evolved.

Sahara (series)

Series Synopsis

For centuries colonialists have bypassed the Sahara. The largest sand desert on the planet was too hot and too impenetrable.

Now, Europe seems to have shifted its southern border to the Sahara in order to stop migration and combat terrorism. How do the inhabitants of the Sahara feel about this interference?

In Sahara, a new three episode series, Bram Vermeulen crosses the desert from west to east, from the Atlantic Ocean to the Red Sea.

He experiences the heat, the dangers of advancing jihadism, the desperation of migrants, the hidden world of slavery, uncovers human trafficking networks and he meets with locals in one of the most inhospitable places on earth.

 

Episode 1 – The Secret of Mauritania

In the far west of the Sahara lies Mauritania. Ten years ago, this country was a busy crossing for migrants from West Africa to the Canary Islands, but since the Spanish coast guard have taken up patrols, no one has gotten through.

Mauritania is one of those countries that has managed to escape the attention of the world press. A country of sand where the first cities were not built until the 1960s, but urbanisation has brought many desert customs to the city. Notorious is the habit of force-feeding young girls with camel milk and breadcrumbs dipped in olive oil, a banned custom intended to make them more attractive on the marriage market.

It turns out that there is much more happening in Mauritania that they would rather hide.

Officially, slavery was abolished in Mauritania in 1981, nearly a century after the rest of the world had banned it, but activists are still fighting every day to free tens of thousands of black Mauritanians who are owned by others. They have no rights. They do not get paid. Women who have children, often by their owners, have to give their children their owners’ last names, and the children are not entitled to an education. And the battle against slavery is hazardous for activists, lawyers and the journalists who report on it.

 

Episode 2 – Timbuktu at the Crossroads

Timbuktu was a dream destination for any traveller brave enough to cross the Sahara. Centuries ago, mythical stories were told about Timbuktu; the streets were said to be paved in gold.

In 2012 the city was taken by an alliance of Tuareg separatists and Ansar Dine Jihadists. They realised the dream of generations of Tuareg nomads: their own state, under the name of Azawad. Ancient tombs were destroyed and for nine months, Timbuktu lived under the strict sharia regime until the French army was brought in to free the city.

We meet the owner of the only bar in Timbuktu, the son of a mixed marriage between a Malian mother and a French soldier. It was this ancestry that saved his life on the day that the Jihadists took over the city. Everyone in Timbuktu has two identities. The local journalist who had to run propaganda for the occupiers to stay alive. The young women who were abused by the Jihadists, but then came back to celebrate and dance to a song that praises the ideals of their abusers.

Timbuktu it seems remains a dangerous city in the grips of an identity crisis.

 

Episode 3 – Niger: Stuck in the Middle

For centuries, the frontier desert-city of Agadez was the starting point for travellers crossing the Sahara; the hub between West Africa and the Mediterranean, but the European migration panic has had a huge impact on Agadez. Under pressure from Brussels and in receipt of substantial payments, the government of Niger has adopted a law prohibiting the transport of migrants.

The law has left over 6000 smugglers unemployed. Their cars have been confiscated, many have been arrested, and most of the migrants in Agadez have been sent back to neighbouring countries of Algeria and Libya.
Today, Agadez is an angry city. The EU had promised alternative employment, but of the 6000 candidates, only 200 jobs materialised. The former smugglers blame their own bureaucrats who charged fees to assist them in filling in forms, but then sat back and did nothing.

Some of the smugglers have moved to the goldmines in the Sahara, indescribably difficult work in the 45 degree heat, and a far cry from their lucrative former employment.

There is a volatile atmosphere in the streets of Agadez. Monday always used to be the day of departure for the smugglers. Can it be that the smugglers of Agadez have found a new way to circumvent the wishes to Europe and the blockades?

Fatal Flaws: Legalising Assisted Death

Should we be giving doctors the right to end the lives of others by euthanasia or assisted suicide?

Fatal Flaws: Legalising Assisted Death is a thought-provoking journey through Europe and North America to find answers to this question.

Some 20 years after these laws were introduced, even
some of the most loyal supporters of assisted dying
are questioning where these laws are taking us.

The grandfather of euthanasia in the Netherlands, Dr. Boudewijn Chabot speaks of a ‘worrisome culture shift’ and that euthanasia is ‘getting out of hand’ – especially as it relates to patients with psychiatric issues.

The cost of ongoing treatment is putting pressure on an already fraught decision making process, and the many are questioning the motives of those tasked with making the decisions.

Meanwhile, the suicidal can simply ‘shop around’ until they find the decision they are looking for, or more worryingly – others can do the same for those they are tasked with caring for.

With powerful testimonies and expert opinion from both sides of the issue, Fatal Flaws: Legalising Assisted Death uncovers how these highly disputed laws affect society over time.

Foul Play

Foul Play takes us into the shady world of football match fixing across Asia, where government officials and corporate club owners conspire to ensure that the outcome of the game is determined long before the whistle blows. We follow the story of Simon McMenemy – an English football coach parachuted in to save an Indonesian team after shooting to fame in the Philippines managing their national team. After overcoming his initial culture shock, it becomes clear that the best team doesn’t necessarily win.

A sophisticated network of match fixers have an iron grip on the game, players on low salaries are vulnerable to bribes and coaches who raise questions can be removed by team owners. 

Foul Play uncovers, with startling new evidence, a world where international tournaments are set up purely to be fixed, players are given specific instructions on exactly when to take a dive and even when the match isn’t fixed, the referees can ask for a kick back just to ref impartially. As Simon’s frustration grows, it becomes clear that the corruption that is choking Indonesian Football, is the same that is holding back the region across every field.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby