Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

Twilight of the Yakuza

The Yakuza, Japan’s organised crime syndicates, are a dying breed. Their members are aging and the government of Japan has launched a large-scale crackdown on them to eradicate them once and for all. But who are the Yakuza? The cancer of a nation or a necessary evil in a country with one of the lowest crime rates in the industrialised world?

Undoubtedly the Yakuza are involved in crimes including extortion, fraud, murder, drugs & gambling. However, Japan has one of the lowest crime rates in the industrialised world, with crimes related to drugs -officially against the Yakuza code of honour- or street gangs strikingly low, a fact that many contribute to the presence of the Yakuza. Deeply rooted in Japanese society, they are seen as a necessary evil and ‘problem solvers’. They have been around since the 1700s and were said to protect the weak from the strong, following a rigorous code of honour. Several clans even contributed aid for the victims of the recent earthquake and Tsunami, all reasons why the public perception of the Yakuza in Japan is not solely a negative one.

Unlike the Mafia, the Yakuza is a legal, public group making them relatively easy to check on. Their offices are public, their members registered by the police and Yakuza members went as far as freely admitting their guilt in cases of crime investigations, as a part of their code of honour. In reaction to strict government measures against them, the Yakuza has ceased all cooperation with the law. As the police concentrate their resources on the Yakuza, many criminals simply don’t register with clans anymore and start operating underground, evading the grasp of police. A clear trend is emerging towards a new structure of organised crime in Japan, resulting in a steep decrease in the numbers of the traditional Yakuza while the underground is soaring – including foreign Russian and Chinese mafia’s.

This documentary deals with the struggle of the Yakuza for its survival and the restructuring of the organized crime scene in Japan. Furthermore, unprecedented access to the secret world of the Yakuza gives you an insight on who the Yakuza really are: criminals, outcasts, but also family men and a part of Japanese society.

97% Owned

When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked – questions like: Where does money come from? Who creates it? Who decides how it gets used? And what does that mean for the millions of ordinary people who suffer when money and finance breaks down?

97% Owned is a new documentary that reveals how the creation of credit and the mystery that surrounds it, is at the root of our current social and economic crisis.

Referring to the 97% of the world’s money supply that is represented by credit this thought provoking film presents serious research and verifiable evidence on our economic and financial system and is the first documentary to tackle this issue from a UK-perspective

Featuring frank interviews and commentary from economists, campaigners and former bankers, it exposes the privatised, debt-based monetary system that gives banks the power to create money, shape the economy, cause crises and push house prices out of reach.

Fact-based and clearly explained, 97% Owned demonstrates how the power to create money is the piece of the puzzle that economists were missing when they failed to predict the crisis.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks