The Encampments

The occupation of Columbia University by pro-Palestinian students made waves around the world.

A group of students set up camp on the lawn of Columbia University in New York, and founded the Gaza Solidarity Encampment to protest the war in Gaza, and to protest their own university’s investment in the US and Israeli arms industry. An action that made waves around the world and quickly grew into the largest protest movement since the Vietnam War. But the world has changed.

The Encampments is a film about power and resistance in the 21st century, where both have taken on new forms, while the role of universities as bastions of democracy, critical thinking and freedom of expression is under threat.

We are plunged into the high-stakes drama with full access to the hard core of dedicated organizers led by Mahmoud Khalil as they face fierce resistance from the police, the media and their own fellow students.

 

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An urgent protest film that carries the same conviction and resolve of the students who organized these demonstrations last spring.

At only 80 minutes, The Encampments tells a fascinating, ripped-from-the-headlines story.. As a snapshot of a particular few weeks in which a protest movement was born and spread, it’s an effective and prescient documentary. Eerily, in one of the last shots in which Khalil is shown, he’s asked by an off-camera voice, “What would happen to you if you were deported?” to which he responds, “I will live.”

The Encampments shows that same determination and confidence from other young people who carry the responsibility of attempting change.

Variety

 

It’s a stark and powerful reminder of what the protesters are actually protesting.

The Washington Post

 

The Encampments chronicles how students at Columbia ignited a far-reaching and influential solidarity movement last spring… it takes a harrowing turn once the filmmakers observe university responses to the student occupations spreading across campuses.

The Encampments not just critical in capturing the real-time makings of a movement, but in laying bare the consequences of this response.

The Hollywood Reporter

 

The Encampments is a very conventional documentary on purpose. It mounts its argument with little flare and with muted aestheticization, all to dispel the hysteria surrounding its subject… it is already making an appeal to posterity.

The New Yorker

 

This rousing documentary explores the impact of and responses to student solidarity with Palestine without getting caught up in polemics… Stirring and tense.

Sight and Sound

Israelism

Two young American Jews – Simone Zimmerman and Eitan – are raised to defend the state of Israel at all costs. Eitan joins the Israeli military. Simone supports Israel on ‘the other battlefield:’ America’s college campuses. When they witness Israel’s mistreatment of the Palestinian people with their own eyes, they are horrified and heartbroken.

They join the movement of young American Jews battling the old guard over Israel’s centrality in American Judaism, and demanding freedom for the Palestinian people. Their stories reveal a generational divide in the American Jewish community as more young Jews question the narratives their synagogues and Hebrew school teachers fed them as children.

J Street: The Art of the Possible

J Street is on the frontlines of the world’s most “intractable” problem. An upstart lobby group in Washington, D.C., J Street dares to assert what to many seems obvious: that a two-state solution is Israel’s only future, and any peace deal will require robust American participation. It sees itself playing David to AIPAC, the Israel Lobby’s Goliath, and, less than five years old, has been making surprising gains.

With full access to the inside workings of a lobby group struggling to represent the centre ground of Jewish American thought, this documentary tracks J Street as it attempts to change what it means to be pro-Israel in America. We see their missteps and their triumphs as they push the Obama administration to take an active role in negotiating a two-state solution, fend off accusations of harbouring ‘anti-Israel’ objectives and gain influence among America’s Jewish population.

In this urgent political story told with the intimacy of cinema vérité, we feel the pulse of an organization, taking viewers to high-level strategy meetings, and long nights on the road. It is here that our characters come to life and the J Street story unfolds. J Street: The Art of the Possible is at once a gripping story about the desperate need for a two-state solution, and a captivating glimpse at the role of Lobbyists in the American political process.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.