Tag Archives: rights

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

America’s Surveillance State

We live in the United States of Surveillance – with cameras positioned on every street corner and much more invisible spying online and on the phone. Anyone paying attention knows that privacy is dead. All of this is not happening by accident – well funded powerful agencies and companies are engaged in the business of keeping tabs on what we do, what we say, and what we think.

To many in the world today, the face of America also has a big nose for sniffing and sifting mountains of data – phone calls, emails and texts. And with many mouths silenced by paranoia to keep what they decide is secret, secret.  America has become a Surveillance-Industrial State where everyone’s business has become its business, and where one huge US intelligence Agency has been given the sanction and unlimited amounts of money to spy on the whole world.

Mass Surveillance is the focus of this new 6 part investigative documentary series examining who is watching whom and why.

Fatherland

Fatherland is a controversial coming-of-age documentary set in the remote South African bush. It follows a group of Afrikaner boys over 9 days at a military camp in the spirit of their fathers before them.

“You’ve got these millions and millions of blacks around you. Smothering you and killing you.”

However, what starts out as basic training, fitness and camaraderie soon intensifies as the true nature of the camp is revealed and the boys are forced to question their place in the ‘New South Africa’.

“One must look at the negro not as one’s equal but as a child. A black man has the intelligence level of a 14 year old white boy.”

These camps are designed to recreate a sense of Nationalism amongst the next generation of Afrikaaners, though as their training progresses darker ideological elements emerge revealing the stark realities of their training and indoctrination.

“We have the men. We just need to plant the will in you because you’ve been brain washed by old Mandela. Be proud of your race”

The film follows three particular boys and Col. Franz Jooste -an ex-SADF soldier that fought for his country pre 1994 – and focuses on the conflicting views developed by the boys. Under the strict leadership of their camp leader, they struggle to find their identity within their own communities and within their ‘rainbow’ nation at large.  The children are forced to participate in a physically and mentally grueling process that tests their values, believes and identities on every level.

“The truth is that there will definitely be a war in this country. So I’m preparing myself for a war that’s coming.”

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.

A Whisper to a Roar

Whisper to a Roar presents the inspiring and dangerous work of democracy activists in five countries around the world – Egypt, Malaysia, Ukraine, Venezuela and Zimbabwe.

The film’s subjects span the full spectrum of democratic activists: student leaders (Venezuela); young professionals (Egypt); currently active opposition politicians (Malaysia and Zimbabwe) and a former president (Ukraine). These heroes tell their compelling personal stories of struggle with the oppressive regimes ruling their countries, now or in the past.

The activists come from a variety of cultures and live on different continents, yet they all take enormous risks to pursue political freedom for their people and aspire for accountable government. In each country, the regimes and rulers that oppress their people use remarkably similar techniques and the activists’ most successful techniques are also remarkably alike, regardless of their circumstances.

The presence in the film of accomplished democrats, both the famous and the unsung, from diverse cultures and religions, will inspire and instruct viewers around the world of widely varying ages, nationalities, and political persuasions.

“This deft digest from the director Ben Moses is by turns shocking and inspiring…”
New York Times

“In the case of the new documentary A Whisper to a Roar, democracy and the fight for freedom are not only moving, but also deeply personal, thought-provoking and inspiring.”
The Huffington Post

“An expertly drawn primer on the soft dictatorships that constrained five different countries and the peaceful revolutions that sought to expunge them”
The Village Voice

“The film is not only a riveting documentary, but also offers inspiration to people everywhere who seek to make governments accountable to the citizens they serve”
Hillary Clinton

Who Rules America?

Who Rules America? takes a comprehensive look into the governing system of the United States of America and reveals the behind-the-scene powers that rule the nation. There are two Americas; one in which people have freedom in choosing their leaders within the framework of the constitution living in the land of the free, and another, wherein all is dedicated to the ruling 1%  and within which a  hidden network of power governs including the media, Wall Street , the Military and Corporations.

This new expose from Danny Schechter (In Debt We Trust, WMD: Weapons on Mass Deception) lifts the lid on the true decision makers behind the worlds self-proclaimed democratic  role model.


Closed Sea

Closed Sea reveals the untold story of the endangered migrants who attempted to escape Libya to Italy during the 2011 war, only to be returned to the hands of Gaddafi as a result of a prior agreement signed between Berlusconi and Gaddafi.

During a perilous journey by boat from Libya to Italy, our protagonists become adrift, facing near certain death on the waves. A sighting, and subsequent rescue, by the Italian Navy cause scenes of unbridled joy and celebration – all captured by the stranded refuges on camera-phone.

Their joy though was to be short lived as it soon became clear that their rescuers had other plans.

Closed Sea meets the refugees who were forced back into the hands of the dictator, and witnesses the abuses faced by those who dared to attempt an escape. Families are divided and in limbo as Gaddafi’s regime crumbles and the revolution gains pace, though it is the European Court of Human Rights in Strasbourg that truly determine the final fate of our protagonists.

From their battered vessels and failed rescue to their subsequent imprisonment, tenure at a refugee camp and onward to the distant European Court of Human Rights. Closed Sea captures the dramatic stories of those whose lives were torn apart and forgotten, not just by Gaddafi, but his allies in Europe who claim to stand for freedom and human dignity.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks