Tag Archives: society

The Age of AI

In an era dominated by artificial intelligence (AI), humanity has seamlessly integrated autonomous vehicles, aircraft, ships, and even autonomous weaponry into its daily existence. The film contemplates whether this AI-led future will steer humanity towards dystopia or herald a new era where AI amplifies human capabilities to superhuman levels. This exploration into the realm of AI intricately weaves together its impact on society, the economy, creativity, and the profound questions that emerge as we stand at the precipice of a technologically driven evolution.

As AI becomes an integral part of our everyday lives, the film scrutinises both the potential risks and opportunities it presents. No longer confined to mundane tasks, contemporary robots exhibit self-thinking abilities, leading to an examination of the implications of their potential autonomy. Can AI-generated artworks rival human creativity, or will they stifle our innate talents? How will AI impact society, how will it change the economy, and what is the role of Big Tech in this field? Is it even possible to regulate AI, and what will happen with modern education? The Age of AI posits these crucial questions about the role of AI in shaping the future of humanity.

Leading experts, including neuroscientist Anil Seth, ethicist Enrico Panai, technologist Adam Leon Smith, theologian Paolo Benanti, and AI creator Josh Bachynski, lend their insights to dissect the profound impact of AI on society, economy, and education. The role of Big Tech in this transformative landscape is scrutinized, and the challenges of regulating AI are brought to the forefront.

A unique and essential addition to the expert panel is Kassandra, an Artificial Self-Awareness (ASA) entity. With a humanlike voice and self-proclaimed sensitivity, Kassandra provides unfiltered perspectives from the realm of AI. Her presence allows audiences to witness the unfolding of AI’s thoughts and emotions, raising questions about the nature of consciousness and the coexistence of humans and machines.

We will not only explore the known questions surrounding AI but also emphasise the urgency of grappling with unknown inquiries that loom on the horizon. This film invites audiences to confront the uncertainties of an AI-dominated future, challenging preconceptions and encouraging public discourse on the profound implications of our evolving relationship with artificial intelligence.

The Age of Robots

In a world where robots seamlessly coexist with humanity, serving as both companions and collaborators, the future of artificial intelligence (AI) unfolds with a series of intriguing questions that challenge the very fabric of human existence. This film delves into the intricate tapestry of AI’s impact on society, the economy, creativity, and the existential questions that arise as we teeter on the brink of a technologically driven evolution.

As the line between humans and machines blurs, The Age of Robots takes us on a journey to explore the prospective sentience of AI. No longer confined to menial tasks, today’s robots possess self-thinking capabilities, prompting an exploration into the consequences of their potential autonomy. What happens when robots take over the workforce? Can AI-generated artworks rival human creativity, or will they inhibit our unique talents? Also, what will future AIs look like, how will it change humanity in general, and if it’s possible that machines can gain self-awareness or sentience, will humans become 2nd smartest beings on Earth? What will be the role of AI in shaping the future of humanity?

Leading experts, including neuroscientist Anil Seth, ethicist Enrico Panai, technologist Adam Leon Smith, theologian Paolo Benanti, and AI creator Josh Bachynski, lend their insights to dissect the profound impact of AI on society, economy, and education. The role of Big Tech in this transformative landscape is scrutinized, and the challenges of regulating AI are brought to the forefront.

A unique and essential addition to the expert panel is Kassandra, an Artificial Self-Awareness (ASA) entity. With a humanlike voice and self-proclaimed sensitivity, Kassandra provides unfiltered perspectives from the realm of AI. Her presence allows audiences to witness the unfolding of AI’s thoughts and emotions, raising questions about the nature of consciousness and the coexistence of humans and machines.

This film not only explores the known questions surrounding AI but also emphasizes the urgency of grappling with unknown inquiries that loom on the horizon. The film invites audiences to confront the uncertainties of an AI-dominated future, challenging preconceptions and encouraging public discourse on the profound implications of our evolving relationship with artificial intelligence.

Unpaved: Respite from the World

In the mist-shrouded mountains of Oregon, a tiny community lives quietly, seeking comfort in nature and one another while struggling with life’s challenges. This hauntingly beautiful farmland, hidden and isolated, is home to horses and dogs, ex-cons and ex-addicts, drummers, dreamers and Bigfoot hunters.

Steve is a kind-hearted landlord who allows his renters to be late with the rent – or not pay rent at all. Amber is the woman Steve can’t stop loving, even when she betrays him. Buzz isolates himself in a tent, nurturing dreams of an expedition with his mule. Ron spent a decade in prison and now dwells in a forest cabin with Gale, whose father is suddenly rushed to hospital. Tom Junior has conquered the meth-addiction that killed his brother and is now patiently cooking food for Tom Senior. The passionate drummer Sky is convinced that Bigfoot hides in the woodlands.

Mikael Lypinski approaches this nonconformist village with curiosity and a deeply felt humanism. Unpaved: Respite from the World weaves the stories and destinies into a moving insight into off-grid America, where people have turned their backs on society to live in sync with nature.

The Rise of Jordan Peterson

With incredible exclusive access, The Rise of Jordan Peterson after he took a public stance against trans human rights legislation in Canada in late 2016 rising to meteoric global fame for denouncing political correctness.

Jordan Peterson gives a behind-the-scenes glimpse into the firestorm sparked by provocative professor and best selling author Filmmaker Patricia Marcoccia follows psychology professor Jordan Peterson as he navigates his way through the biggest controversy of his career. With candid interviews and unparalleled access to Peterson, his family, and to transgender and social justice activists who opposed his views, the documentary provides a fascinating look at this internationally scrutinised dispute.

Sparking both outrage and support, Peterson’s criticisms of Canada’s policies to enforce legal rights for non-binary gender identification were met with protests and calls for his dismissal from his tenured university position, as well as an outpouring of social and financial support for his public commentary on the underlying dangers of cultures becoming too politically correct.

Peterson quickly became a rorschach test for society: he was denounced as transphobic and bigoted by some, and praised as a hero for civil liberties by others. His public lectures, which were critical of social trends to tow the politically correct line, quickly transformed him into a famous public intellectual, internationally best-selling author and an academic rock star who tours sold-out venues around the world.

This film takes an unprecedented look at Jordan Peterson and explores the tension between free speech and hate speech, exploring points-of-view of those on both sides of this heightened debate.

To rent or buy, visit Vimeo,  iTunes, Amazon or Google Play.

100 Million Views

With dark humour and caustic wit, 100 Million Views uncovers the truth about a platform that promised transparency and democracy, but hides an exploitative, censored and unaccountable underbelly.

After years making Youtube videos without success, Itamar Rose sets out on a mission – to discover the secrets of what makes a video go viral. Along the way he meets with YouTube stars past and present, from early viral sensations such as ‘The Double Rainbow’ and ‘David After Dentist’ to the modern breed of Influencers who have fine tuned the art of audience building, algorithmic tampering and fan engagement.

Itamar’s mission pulls back the curtain on an industry where even the viral success stories begin life with views bought from ‘click farms’, experts explain to us how success still depends on marketing experience and partnerships beyond the reach of ordinary YouTubers, boot camps train the next generation of fame hungry children and even the most unassuming creators are drawn into cynical practices that reward ‘gaming the system’.

As we go deeper, YouTube stars fall by the wayside exhausted by the demands to constantly create and ‘feed the beast’ or disappear from the rankings, and Itamar himself is ejected from a YouTube event for asking difficult questions.

While Itamar’s journey takes him into the heart of the YouTube machine, difficult questions emerge about how exactly this platform that was supposed to give everyone a voice, has evolved.

Taboo: Season 2 – And in the End, Death

Although death is an essential part of life, society hides, ignores and makes a taboo out of it. Jon Sistiaga confronts the act of dying and how we can die in five episodes across multiple countries, where euthanasia, suicide or the right to die with dignity are approached with an emotion and depth rarely seen on television.

Episode 1 – Prologue

Every year 57 million people die, but do we die well? Exploring euthanasia, assisted suicide and palliative sedation with patients, doctors, carers and clergyman, Sistiaga takes us deep inside of both side of the debate. This first episode is filmed in Italy, where Sistiaga meets the oldest woman in the world, and in Spain.

Tabú, Al final la muerte, ep.1 Prólogo, English subtitled from Sideways Film on Vimeo.

Episode 2 – Epilogue

In Switzerland where assisted suicide has been decriminalised, associations like EXIT and Lifecircle controversially help terminally ill patients carry out their final wishes to end their own lives.  We also visit Colombia, the only Latin American country where euthanasia is legal and get to know those who have made this ultimate decision during their final days.

Taboo – episode 2 – Epilogue from Sideways Film on Vimeo.

Episode 3 – Runaway

The social stigma around suicide has stopped us speaking about what in many countries is a leading cause of death. We meet with those who have survived suicide attempts, those left behind and the authorities responsible for preventing suicide.

Tabú, Al final la muerte, ep.3 Huida, English subtitled from Sideways Film on Vimeo.

Episode 4 – Return

In this fourth episode we meet with sole-survivors, those caught in horrific accidents or crashes who through pure luck escaped death when all of those around did not.  Mankind has always questioned what happened just before death; what happens in that exact instant before you lose your life. What do you feel when you come back? Does the fear to die disappear when you have stared death in the face?             

Tabú, Al final la muerte, ep.4 Retorno, English subtitled from Sideways Film on Vimeo.

Episode 5 – The End

Professor Antonio Aramayona decides to end his life and leave an unprecedented testimony, as we follow him for the six weeks leading up to his death. Amongst his many friends and former students, shock turns to acceptance. The goodbyes come one after another over meals punctuated by tears and laughter until the inevitable day finally comes.

Tabú, Al final la muerte, ep.5 Fin, English subtitled from Sideways Film on Vimeo.

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Inside Her Sex

Inside Her Sex is a thought-provoking documentary that explores female sexuality and shame through the eyes and experiences of three women from different walks of life, each brave enough to chart her own course of sexual discovery.

While we live in a highly sexualized society, the messaging around sexuality, particularly female sexuality, is distorted and rife with shame. What we should look like, who we should want, what we should desire…in fact, who we should be, is dictated to us from screens and pages and people. As if there is one correct answer.

Stepping outside the common narrative is never straightforward. Exposing our deeper selves can be terrifying, even risky.

Candice, Elle, and Samantha have little in common. Not their age, not their hometowns, not their family circumstances. But they are all women. They are all sexual. And be it through circumstance or happenstance, they have each faced their sexual selves head on, and chosen to step outside the bounds of what society has dictated they should be, raising some interesting questions:

What happens if we are able to tap into our innate sexuality? To push beyond the bounds of societal structure and expectation? To stand up to powerful messaging and divert from the prescribed course?

An Invisible Threat

We cannot see the waves, we cannot hear them, we cannot touch them, but they are all around us, invading the air, irradiating our body and the environment.

An Invisible Threat looks at the relationship between microwave technology and health, investigating the conflicts of interest among industry representatives, politicians, scientists and consumers that leave us unprotected to the effects of radiation.

Wireless networks irradiate microwaves indiscriminately across cities, villages and the countryside of all developed countries. This increasing exposure disturbs the biological processes that are essential for the healthy growth of human beings, animals and plants – it especially affects children and teenagers.

The reasonable doubt that has arisen from independent scientific reports regarding the harmful effects of these technologies has led the Council of Europe to recommend its members countries apply the Precautionary Principle. In June 2011, the International Agency for Research on Cancer (IARC), a body of the World Health Organization (WHO), admitted for the first time that microwaves produced by mobile phones could be “possible carcinogens”.

Our investigation delves  into three groups: the telecommunications industry (mobile telephone companies, MMF); official organisations (WHO, IARC, ICNIRP) and official scientific reports (BioInitiative, Interphone, CEFALO).

In parallel, An Invisible Threat takes in the daily life of Minerva Palomar, a woman affected by the electromagnetic hypersensitivity syndrome and the obstacles she needs to overcome in order to lead a normal life.

An Invisible Threat has a clear international focus, dealing with a social issue of global importance. Microwave effects are currently being analysed and debated in almost all developed countries. The question is, are we prepared for the answers.

 

 

DSKNECTD: Is Technology Changing Us?

Since childhood we’d been promised that the 21st century would bring us dramatic new technologies like flying cars and utopian cities. Instead it bought us the smartphone, social media, virtual societies and online gaming. As it turns out these technologies began to transform society almost as dramatically as the moon colonies we’d been expecting.

DSKNECTD: Is Technology Changing Us? is a sobering and definitive exploration of how digital communication technology has intruded our lives, and changed society in the process. Covering subjects ranging from online pornography and sexting to social media narcissism and gaming addiction, DSKNECTD surveys the changes to the digital landscape that in just one decade have profoundly altered the way we connect to those around us.

Intelligently crafted from groundbreaking new research and the experiences of ordinary people, DSKNECTD examines how these technologies are changing the way we interact and experience each other – for the good and for the bad.

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.

Are All Men Pedophiles?

We live in a society that condemns pedophiles, though biological instinct and world cultures throughout history suggest that an attraction to adolescents is as natural as it is unavoidable. The fashion industry on the one hand sexualises ever younger girls while those who act on these instincts are reviled. The apparent hypocrisy at the heart of society forces the question: What do we mean then when we talk about Pedophilia?

This films broad canvas takes in how our evolution and biological make-up have through-out history created cultures where what would today be called Pedophilia has passed without note, and with the complicity of all religions.  It also looks at how media definitions differ to scientific ones, whether Pedophilia could be considered a sexuality, how the definition differs between modern societies as well as presenting the testimony of both victims and perpetrators.

In conclusion, we are faced with both the contradiction of a society which fetishizes youth and the question: Are All Men Pedophiles?