Cryptopia: Bitcoin, Blockchains and the Future of the Internet

In the same way that the first applications of computer technology can now look primitive and undeveloped, the same will likely be said about blockchain and the current focus on cryptocurrencies. The potential is so vast and expansive that it is difficult to fathom, while also being widely misunderstood.  

Put simply, blockchains are shared ledgers that don’t require any trusted third-party administrators; transactions or data can be accessed transparently and are said to be incorruptible. Blockchain technology has the potential to become a foundation of every business interaction that requires trust and co-operation – but is there more to it? 

Cryptopia: Bitcoin, Blockchains and the Future of the Internet takes a deep dive into the crypto ecosystem and blockchain technology to discover the good, the bad and the ugly of this controversial industry, its major narratives, conflicts and the major players behind it. Can we really trust them to build this trustless cyber utopia or are their projects just as unfairly distributed and easily manipulated as our current financial systems and tech platforms?

Beginning with the basics of Bitcoin and the origins of the blockchain movement we highlight the recent debate within the community: Is Bitcoin digital gold, a new asset class to invest in or is it the global currency of the Internet? In the second act, we explore other crypto currencies and the many different uses of blockchain technology including the new concept of smart contracts. Finally, we look at the history of the Internet to show what developments have lead to our current crisis of mega-corporations controlling information.

While some see the development of blockchain-based systems as having the potential to take down the Facebooks and the Amazons, and decentralise governance – leading to calls for regulation – others fear that the technology will be co-opted, privatised and derailed by these same forces. 

While some see the potential for transparency and the removal of lawyers, bankers and wall street from our lives, others see greater opportunities to scam and defraud.

Can blockchain technology be used to create a new, fairer, decentralised and uncensored web3.0 where we can control our data and protect our online identities? Or will the potential be squandered as mega corporations once again compete for dominance in this new field.

With his unrivalled and exclusive access, award-winning filmmaker Torsten Hoffmann (Bitcoin: The End of Money as We Know It) takes us on a journey into the heart of this brave new world.

Cryptopia has been officially selected as part of Academy Award Qualifying film festival DocEdge 2020, and has won 16 awards at international film festivals in 2021.  

The Spiders Web

The Spider’s Web: Britain’s Second Empire, is a documentary that shows how Britain transformed from a colonial power into a global financial power. At the demise of empire, City of London financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures in a web of offshore islands.

Today, up to half of global offshore wealth is hidden in British offshore jurisdictions – the largest global players in the world of international finance.

How did this come about, and what impact does it have on the world today?

This is what the Spider’s Web sets out to investigate. With contributions from leading experts, academics, former insiders and campaigners for social justice, the use of stylised b-roll and archive footage, The Spider’s Web reveals how in the world of international finance, corruption and secrecy have prevailed over regulation and transparency, and the UK is right at the heart of this.

 

“Want to know more about the menace of tax havens and the role of the City of London & Overseas Territories? Then this great film is a must”

Frederik Obermaier, Journalist (Pulitzer Prize 2017)

Zeitgeist: The Series

The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement.  For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series.

Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.

Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.

Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.

Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.”

The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie.

Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.

Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed.

Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions.

Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a “Resource-Based Economy”.

Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better.

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics.

The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health”.

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level.

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed.

Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way.

Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides.

Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.

 

download PDF onesheet – ‘The Movie’>
download PDF onesheet – ‘Addendum’>
download PDF onesheet – ‘Moving Forward’>
download PDF onesheet – ‘The Series’>

_________________________________________________________________________________________

Awards:

WINNER: Award of Excellence; LA Movie Awards, USA. Best Visual Effects; LA Movie Awards, USA. Best Documentary; Image Gazer, USA. Honourable Mention; Indie Gathering, USA. USA. First Documentary, LA Arthouse, USA. Best Cinematography, LA Arthouse, USA. Best Documentary, LA Arthouse, USA. Best Political Documentary, Action on Film, USA.

Official Selections:

Marbella International Film Festival, SPAIN. Salt lake City, USA. White Sands International Film Festival, USA.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks