Tag Archives: east

The Watch Or The Time

´You have the watches, we have the time´, a Taliban commander infamously warned an American in 2002 Afghanistan. It was ominously accurate. Months earlier, America had swiftly ousted a flailing Taliban government, pledging to rebuild the embattled country. Fifty nations joined the ‘Operation Enduring Freedom´ war machine and for two decades, foreign armies poured into Afghanistan along with eye-watering amounts of foreign aid funding. Yet now the Taliban is back in charge of the entire country. So what went wrong? 

The Watch Or The Time explores America and its allies’ ill-fated offensive in Afghanistan told by the foreigners and Afghans who lived it. The film tracks the arc of America’s longest war in modern history with these personal experiences, looking at the pitfalls of military intervention, humanitarian aid and the culture clash through the legacy of the West’s efforts in Afghanistan.

Did the thousands of expat-nation-builders foresee a Taliban victory? After so many other previous invasions, did the Afghans see the writing on the wall? And what is the price of the so-called peace in Afghanistan today?

You’ll meet a German armoured car salesman, an American sports trainer and women’s rights activist, a Canadian NATO psychological operations specialist, an Australian war photographer, an Afghan female graffiti artist from the Taliban heartland; Kandahar, Kabul University’s debate club vice-president, a local media producer dubbed Afghanistan’s Number 1 fixer, and a senior Taliban commander.

You’ll see ex-pats grapple with what they’ve left behind, Afghans struggle to make sense of the dramatic shift in their fates, while others celebrate the Taliban’s win.

As America and its allies try to wash their hands of responsibility in Afghanistan, The Watch Or The Time puts it front and centre again. This film presents the perspectives and ultimately asks, was it worth it? You decide.

When a City Rises

When a city rises up against a superpower, everyone must decide how far they will go for freedom.

Hong Kong 2019 – The world has seen the iconic images of protestors covered in black, tossing back tear gas, waving black flags and protesting against the authoritarian superpower that is China in order to fight for a democratic future. It is easy to be caught up in the action, in the glorification of bravery and sacrifice. But away from the limelight, who are these hidden people concealed underneath their masks? What are the protestors really fighting for? What is at stake for them?

Narrated by Eve, a student, When a City Rises follows a teenage couple in love, a student leader, and a father, as they navigate the protest movement, each taking different kinds of action to strike back against the superpower overshadowing their lives. Using direct action, guerrilla tactics, technology, social media, memes and graffiti, they try to challenge the status quo. Each one plays a different role in this huge social movement. Eve, offers background legal support from her ‘control’ room. She is entirely behind the more radical action until her campus is besieged by police and in response protesters turn her university into a brick and firebomb factory. Tan, a father, first took to the streets when the government proposed the extradition bill. He is quickly radicalised and grows impatient with the political impasse, contemplating more dangerous action, even though he has the most to lose. 18-year-old MJ dreams of being a footballer and likes shopping with his girlfriend. Born in a different time, he would be splitting his hours between school and the pitch. Instead, every weekend he is at a protest, putting his relationship in peril.

When a City Rises captures three characters and a year of their personal struggles throughout the movement. Each must confront their own fears and find out exactly how much they are willing to risk for change. Relationships break and form amidst tear gas and rubber bullets, and across the border, China’s People Liberation Army awaits.  With a global pandemic driving protests inside and the new even more repressive National Security Law introduced, the stakes have never been higher.

Sahara (series)

Series Synopsis

For centuries colonialists have bypassed the Sahara. The largest sand desert on the planet was too hot and too impenetrable.

Now, Europe seems to have shifted its southern border to the Sahara in order to stop migration and combat terrorism. How do the inhabitants of the Sahara feel about this interference?

In Sahara, a new three episode series, Bram Vermeulen crosses the desert from west to east, from the Atlantic Ocean to the Red Sea.

He experiences the heat, the dangers of advancing jihadism, the desperation of migrants, the hidden world of slavery, uncovers human trafficking networks and he meets with locals in one of the most inhospitable places on earth.

 

Episode 1 – The Secret of Mauritania

In the far west of the Sahara lies Mauritania. Ten years ago, this country was a busy crossing for migrants from West Africa to the Canary Islands, but since the Spanish coast guard have taken up patrols, no one has gotten through.

Mauritania is one of those countries that has managed to escape the attention of the world press. A country of sand where the first cities were not built until the 1960s, but urbanisation has brought many desert customs to the city. Notorious is the habit of force-feeding young girls with camel milk and breadcrumbs dipped in olive oil, a banned custom intended to make them more attractive on the marriage market.

It turns out that there is much more happening in Mauritania that they would rather hide.

Officially, slavery was abolished in Mauritania in 1981, nearly a century after the rest of the world had banned it, but activists are still fighting every day to free tens of thousands of black Mauritanians who are owned by others. They have no rights. They do not get paid. Women who have children, often by their owners, have to give their children their owners’ last names, and the children are not entitled to an education. And the battle against slavery is hazardous for activists, lawyers and the journalists who report on it.

 

Episode 2 – Timbuktu at the Crossroads

Timbuktu was a dream destination for any traveller brave enough to cross the Sahara. Centuries ago, mythical stories were told about Timbuktu; the streets were said to be paved in gold.

In 2012 the city was taken by an alliance of Tuareg separatists and Ansar Dine Jihadists. They realised the dream of generations of Tuareg nomads: their own state, under the name of Azawad. Ancient tombs were destroyed and for nine months, Timbuktu lived under the strict sharia regime until the French army was brought in to free the city.

We meet the owner of the only bar in Timbuktu, the son of a mixed marriage between a Malian mother and a French soldier. It was this ancestry that saved his life on the day that the Jihadists took over the city. Everyone in Timbuktu has two identities. The local journalist who had to run propaganda for the occupiers to stay alive. The young women who were abused by the Jihadists, but then came back to celebrate and dance to a song that praises the ideals of their abusers.

Timbuktu it seems remains a dangerous city in the grips of an identity crisis.

 

Episode 3 – Niger: Stuck in the Middle

For centuries, the frontier desert-city of Agadez was the starting point for travellers crossing the Sahara; the hub between West Africa and the Mediterranean, but the European migration panic has had a huge impact on Agadez. Under pressure from Brussels and in receipt of substantial payments, the government of Niger has adopted a law prohibiting the transport of migrants.

The law has left over 6000 smugglers unemployed. Their cars have been confiscated, many have been arrested, and most of the migrants in Agadez have been sent back to neighbouring countries of Algeria and Libya.
Today, Agadez is an angry city. The EU had promised alternative employment, but of the 6000 candidates, only 200 jobs materialised. The former smugglers blame their own bureaucrats who charged fees to assist them in filling in forms, but then sat back and did nothing.

Some of the smugglers have moved to the goldmines in the Sahara, indescribably difficult work in the 45 degree heat, and a far cry from their lucrative former employment.

There is a volatile atmosphere in the streets of Agadez. Monday always used to be the day of departure for the smugglers. Can it be that the smugglers of Agadez have found a new way to circumvent the wishes to Europe and the blockades?

The Price of Fairness

Why do we accept huge levels of inequality and social injustice? This is one of the central questions that The Price of Fairness sets out to answer, beginning with a surprising set of social experiments in Norway, which suggest that our willingness to support systems of inequality is far greater than we are often prepared to admit.

In Atlanta, we take a different look at fairness, from the perspective of a group of capuchin monkeys. Behavioural scientist Sarah Bronson’s work with the monkeys questions the idea that we have an evolutionary tendency towards selfish behaviour. Could it be that the outrage we feel towards systems of inequality have roots in our human need for cooperation? 

We visit Costa Rica and Iceland to see how whole economies have been engineered to function with greater ‘fairness’, and the US where systematic racial injustices have tested many of their citizens hopes for a fairer justice system.

From the caste-biased villages of India to the race-sensitive streets of Ferguson, Missouri, this documentary explores our understanding of fairness and what it takes to change an unfair system.

Touching on issues of economic, political, racial and gender inequality, this film offers a thought-provoking and timely look at what fairness really means to us. 

In the Name of Honour

In the Name of Honour exposes frightening cases of ‘honour’ killings – the killing of a relative, especially a girl or woman, who is perceived to have brought dishonour on the family – from India, Jordan and Palestinian Territories. Hindu, Muslim and Christian families all share the tragic experiences that wrecked their lives.  

In this part verité / part investigative documentary, director Pawel Gula proves there is no honour in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably damaged and the killers who are still debating the consequences of their actions. Broader commentary from officials and activists fighting this horrific tradition combine to create a comprehensive picture of this brutal, hidden practice.

In the Name of Honour from Sideways Film on Vimeo.

The Sacred City

The Sacred City presents compelling evidence that suggests the holy city of Mecca is in the wrong location and that the worlds 1.6 billion Muslims are praying in the direction of the wrong city. Compiling evidence from both historic sources and new technologies point to the correct location in this seismic, revelatory new film.

In this startling and original documentary, writer and historian, Dan Gibson, shows that descriptions of Mohamed’s original holy city – as detailed in the Qur’an and Islamic histories, do not match that of the Mecca we know today.  If true this could shake Islam to it’s roots, because every Muslim is required to pray towards  the ‘forbidden gathering place’. If Dan Gibson is right, Muslims are praying in the wrong direction.

In the film ‘The Sacred City’ we set out his evidence from within Islamic and ancient histories – while also using modern technologies –  to track down the biggest secret of the last fifteen hundred years. Gibson not only finds the location of the original Mecca but also provides a convincing argument as to how such a great misunderstanding in Islamic history came about.

While clearly controversial, The Sacred City is respectful of Islam’s prophet, and does not dispute the events of the Qur’an; but shows how a deliberate attempt was made to hide from Islam, secrets that impact every Muslim today. The evidence is compelling and fascinating.

In a time when the world agenda is being set by Islam, it is more important than ever for the origins and history of this world religion to be examined afresh. This is an important documentary with world-wide appeal for both religious and secular audiences.

Beautifully filmed in the ruins and deserts of the middle east, the film is a detective story that investigates the dawn of Islam and will become the most talked about film for years to come.

The Sacred City from Sideways Film on Vimeo.

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

J Street: The Art of the Possible

J Street is on the frontlines of the world’s most “intractable” problem. An upstart lobby group in Washington, D.C., J Street dares to assert what to many seems obvious: that a two-state solution is Israel’s only future, and any peace deal will require robust American participation. It sees itself playing David to AIPAC, the Israel Lobby’s Goliath, and, less than five years old, has been making surprising gains.

With full access to the inside workings of a lobby group struggling to represent the centre ground of Jewish American thought, this documentary tracks J Street as it attempts to change what it means to be pro-Israel in America. We see their missteps and their triumphs as they push the Obama administration to take an active role in negotiating a two-state solution, fend off accusations of harbouring ‘anti-Israel’ objectives and gain influence among America’s Jewish population.

In this urgent political story told with the intimacy of cinema vérité, we feel the pulse of an organization, taking viewers to high-level strategy meetings, and long nights on the road. It is here that our characters come to life and the J Street story unfolds. J Street: The Art of the Possible is at once a gripping story about the desperate need for a two-state solution, and a captivating glimpse at the role of Lobbyists in the American political process.

ISIL: Rebranding An Old Story

ISIL (Islamic State of Iraq and Levant) has undoubtedly become a real, illusive threat to the whole of the Middle East. In spite of what we see on the surface, so many questions have arisen that give pause for reflection about the many factors involved in sustaining this terror group. Who are funding them? Who benefits most from the disorder and chaos across the region? Who are the major players behind the scenes?

This comprehensive documentary answers all of these questions. It takes us to the formation of ISIL explaining the process through which they have been funded, armed, and equipped by countries including the US, Turkey, Qatar, Saudi Arabia and more, and explores how western interference in the region has led to the chaos in which ISIL are able to thrive.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.