Tag Archives: film

Journey to Space

Narrated by Patrick Stewart and available in native 4K and 3D, Journey to Space reveals that Nasa’s next era will be its greatest yet. Journey to Space showcases the exciting plans NASA and the space community are working on, and the challenges they must overcome to carry out audacious missions from landing astronauts on Mars to capturing asteroids.

We put into historical context the magnificent contributions made by the Space Shuttle program and its intrepid space pioneers using spectacular space footage – including unique views of Earth and operations in space – such as deploying and repairing the Hubble Space Telescope. We go on to show how the Shuttle launched and assembled the International Space Station. Together, these programs have taught us how to live, build and conduct science in space. The International Space Station will continue operating in space until 2024; Journey to Space shows how it is building a foundation for the next giant leaps into space.

 

In the Name of Honour

In the Name of Honour exposes frightening cases of ‘honour’ killings – the killing of a relative, especially a girl or woman, who is perceived to have brought dishonour on the family – from India, Jordan and Palestinian Territories. Hindu, Muslim and Christian families all share the tragic experiences that wrecked their lives.  

In this part verité / part investigative documentary, director Pawel Gula proves there is no honour in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably damaged and the killers who are still debating the consequences of their actions. Broader commentary from officials and activists fighting this horrific tradition combine to create a comprehensive picture of this brutal, hidden practice.

In the Name of Honour from Sideways Film on Vimeo.

A Revolution in Four Seasons

This seminal film tells the story of two women with opposing political views fighting for their different versions of a democratic future for Tunisia, the country that sparked the Arab Spring.

Over the course of Tunisia’s critical post-revolution years, we follow journalist Emna Ben Jemaa, who envisions a country governed by free speech and without the corruption of the former regime. In contrast, Jawhara Ettis of the Islamist party Ennahda works towards a Tunisia guided by Islamic principles.

On a public level, both women must navigate how females are treated in their society, while in their own homes they must make difficult choices to balance their public political roles with marriage and motherhood.

Both know the stakes are high and the ever-present threat of Islamic extremists means their fragile political process could break down at any moment and all they’ve worked for could be lost.

Through the intertwined stories of Emna and Jawhara, the unresolved tensions of the Arab spring are laid bare. A Revolution in Four Seasons gives both a comprehensive review of this crucial period as well as an intimate look at what these sometimes painful compromises mean for those living in a country struggling to define itself.

A Revolution in Four Seasons from Sideways Film on Vimeo.

BAKUR: Inside the PKK

Shot in secret, BAKUR: Inside the PKK is the worlds first documentary made with inside access to the Kurdish separatist group, who are considered a terrorist organisation by Turkey, the US and NATO. The result is an inside look at the undeclared war going on in Turkey for decades. This was the first time any film crew had ever accessed these camps.

To date, the PKK has lost over 30 thousand of its members in combat against the Turkish State. What is the PKK’s perception of the state, justice and authority? What constitutes the foundation of their relationship to the people? How did the Kurdish movement evolve over the years into a battle for freedom founded on the women’s rights movement? How do the guerrillas who have been living under wartime conditions for 40 years manage to survive all year-round in the harsh outdoor living conditions in the mountains?

In search for answers to all of these questions, BAKUR: Inside the PKK introduces the audience to men and women who have chosen to join the armed resistance in order to create a new future. We witness life in three guerrilla camps located in three different regions of Kurdish territory within the Turkish borders.

Beautifully shot over months, we follow the lives of guerrilla fighters including the training and graduation of new recruits, their justice system and the progressive philosophies that guide them.

 

BAKUR: Inside the PKK from Sideways Film on Vimeo.

The Sacred City

The Sacred City presents compelling evidence that suggests the holy city of Mecca is in the wrong location and that the worlds 1.6 billion Muslims are praying in the direction of the wrong city. Compiling evidence from both historic sources and new technologies point to the correct location in this seismic, revelatory new film.

In this startling and original documentary, writer and historian, Dan Gibson, shows that descriptions of Mohamed’s original holy city – as detailed in the Qur’an and Islamic histories, do not match that of the Mecca we know today.  If true this could shake Islam to it’s roots, because every Muslim is required to pray towards  the ‘forbidden gathering place’. If Dan Gibson is right, Muslims are praying in the wrong direction.

In the film ‘The Sacred City’ we set out his evidence from within Islamic and ancient histories – while also using modern technologies –  to track down the biggest secret of the last fifteen hundred years. Gibson not only finds the location of the original Mecca but also provides a convincing argument as to how such a great misunderstanding in Islamic history came about.

While clearly controversial, The Sacred City is respectful of Islam’s prophet, and does not dispute the events of the Qur’an; but shows how a deliberate attempt was made to hide from Islam, secrets that impact every Muslim today. The evidence is compelling and fascinating.

In a time when the world agenda is being set by Islam, it is more important than ever for the origins and history of this world religion to be examined afresh. This is an important documentary with world-wide appeal for both religious and secular audiences.

Beautifully filmed in the ruins and deserts of the middle east, the film is a detective story that investigates the dawn of Islam and will become the most talked about film for years to come.

The Sacred City from Sideways Film on Vimeo.

Code of Silence

Code of Silence follows the parallel journeys of a fervently Orthodox Jewish father and his now-secular son, after the son Manny breaks the code of silence in Melbourne’s Orthodox community and goes public with his story of being sexually abused as a school student.

Manny Waks claims he was abused by an Orthodox Jewish security guard, who also taught boys karate, at the Yeshivah Centre in Melbourne. Now Manny is demanding his abuser be brought to justice, and the rabbis and Chabad leaders who tried to cover it up, are brought to account.

His father Zephaniah joins forces with his son, but soon finds he has been virtually excommunicated for breaking an ancient Jewish law forbidding Jews from informing secular authorities about other Jews.

We see how father and son split this tightly-knit, powerful Jewish community as we open the door into their insular world of study and duty, charity and faith, power and piety.

Will Manny get justice in court? Will the rabbis be held to account? And, what price will the father and son pay for blowing the whistle?

 

Code of Silence from Sideways Film on Vimeo.

Breaking the Silence

Breaking the Silence follows the journey of Manny Waks who was, until recently, the only survivor of child sexual abuse within Melbourne’s Orthodox Jewish community to speak publicly.

This is the dramatic follow up to the Walkley Award winning Code of Silence. 

Breaking the Silence begins with Manny Waks as he gives evidence at the Royal Commission into Institutional Responses to Child Sex Abuse, during which two ultra-Orthodox Jewish institutions are accused of covering-up and protecting perpetrators in the 1980s and 90s. 

Over two explosive weeks inside Melbourne’s County Court, viewers will witness, for the first time, those rabbis and officials accused of the cover-ups take the stand and be grilled. For the first time, it is also revealed that Manny was not the only member of the family who was abused; Manny’s father Zephaniah Waks reveals two other sons were abused by a Yeshivah Centre teacher, David Kramer in the 1990’s. He had tried to have the abuse handled by community leaders but was subject to an ancient code of silence that forbids Jews from speaking about the allegations involving other Jews, to the police.

The result was that Zephaniah and his wife were virtually excommunicated and feeling isolated, they decided to relocate to Israel. Now his other son Yanky agrees to speak on camera for the first time.

After the hearings, Manny travels to the United States to confront one of the two men who he claims abused him. The film’s climax follows Manny to Los Angeles, where he meets a convicted pedophile who was given a suspended sentence for abusing AVB in Sydney in the 1980s. It’s a powerful moment between victim and abuser that delivers an unexpected conclusion.

Will Manny’s confrontation with the man he claims abused him give him peace of mind? And will his meeting with the convicted pedophile give him a crucial sense of resolution?

Breaking the Silence from Sideways Film on Vimeo.

Call Me Dad

Can violent men change? Call Me Dad is a film that takes its audience to the most delicate and painful place inside a parent’s heart. A place where good intentions and hope are pitted against entrenched and tormenting cycles of violence.

For some of these fathers, their fists are their weapons. For others, words and manipulation are most potent, used as part of a sustained pattern of intimidation, threats, and abuse intended to isolate, diminish and control the people they love. Now these men are seeking change. They have come together to talk, share information, challenge and support each other to be better men, partners and fathers to their children.

The group’s founder and facilitator David Nugent believes that women and children have the right to live their lives free from violence, and that men can change if they have the will and opportunity to do so. He challenges men to take ownership of their abusive and violent behaviours, and shows them that they can make different choices, and in doing so, can stop the cycle of violence.

David draws these men deep into conversation about the underbelly of patriarchal forms of masculinity, and the ways in which sexism can harm and diminish women, and constrict and isolate men.

Together the participants in David’s program are reaching for the courage and knowledge they need to be good partners, and good fathers. These men have taken the brave and difficult decision to confront their behaviours and histories head-on. These Dads are fighting to change the story for the next generation. Can these men re-establish ‘family’?

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Why I’m Not On Facebook

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social network.

From long lost high school friends who use it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and worst of Facebook is on display. We meet couples bought together using the site, and those driven apart, people who are addicted to its charms and even the Winklevoss twins, the co-creators of Facebook.

Blending interviews with news clips, TV shows and other archival footage, Brant Pindivic documents his search for the meaning of Facebook with a storytelling style that is both personal and endearing, throwing up surprises through out his journey.

The deeper he explores the social network’s vice like grip on those who use it the more he realizes the answers to its popularity lie within.   Whether you’re a fan of Facebook or not, this is one film that is funny, fascinating and a must for anyone wondering what everyone is talking about.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby