The Caravan

Born of desperation, a caravan of migrants left Honduras in October 2018 with the goal of walking to the US border with Mexico. Donald Trump repudiated these migrants as they traveled north through Central America, inflating the threat they posed to the United States declaring that they were drug dealers, criminals and Islamic terrorists.

The Caravan follows Yuri, eight months pregnant, as she walks from her home in Honduras towards the US border with her husband Mike and two-year old son Santi. Yuri is determined to give birth in the United States, guaranteeing her second child US citizenship. For her husband Mike, it is an opportunity to escape the endemic corruption, violence and poverty that plague Honduras and create a more secure future for his young family.

Like millions of Americans before them, the story of their journey is one of determination, faith, and a desire to build a new life in the promised land.

Bad Hombres

Bad Hombres explores the most heavily used migration route on Earth. Journalist Stef Biemans traveled between Guatemala and the US to see what the so-called ‘bad hombres’ hope to find in the USA.
Who are the people who inspired the building of a wall on the Mexican border?

“Biemans stays calm at all times and defers to his subjects. The result is rich and integral television, sometimes moving and always captivating”

De Volkskrant

Also available as a five part series:

Episode One:

Episode Two:

Episode Three:

Episode Four:

Episode Five:

Resistencia

“A thoroughly captivating window into history as never told by the winners — beautiful, enraging, profoundly inspiring.” Naomi Klein

June 28th, 2009. The Honduran people are preparing to vote in the first referendum in the country’s history. But, instead of waking up to ballot boxes, they see soldiers carrying out the first coup d’état in Central America in three decades.

This is the story of the two thousand farming families who challenged the coup by taking over the plantations of the most powerful landowner in the country and converting them into worker-run cooperatives.

Shot over four years, the film is both a testament to the capacity of an organized movement to transform the most fertile land in the country, as well as an account of the coup regime’s violent attempts to get the land back.