Sahara (series)

Series Synopsis

For centuries colonialists have bypassed the Sahara. The largest sand desert on the planet was too hot and too impenetrable.

Now, Europe seems to have shifted its southern border to the Sahara in order to stop migration and combat terrorism. How do the inhabitants of the Sahara feel about this interference?

In Sahara, a new three episode series, Bram Vermeulen crosses the desert from west to east, from the Atlantic Ocean to the Red Sea.

He experiences the heat, the dangers of advancing jihadism, the desperation of migrants, the hidden world of slavery, uncovers human trafficking networks and he meets with locals in one of the most inhospitable places on earth.

 

Episode 1 – The Secret of Mauritania

In the far west of the Sahara lies Mauritania. Ten years ago, this country was a busy crossing for migrants from West Africa to the Canary Islands, but since the Spanish coast guard have taken up patrols, no one has gotten through.

Mauritania is one of those countries that has managed to escape the attention of the world press. A country of sand where the first cities were not built until the 1960s, but urbanisation has brought many desert customs to the city. Notorious is the habit of force-feeding young girls with camel milk and breadcrumbs dipped in olive oil, a banned custom intended to make them more attractive on the marriage market.

It turns out that there is much more happening in Mauritania that they would rather hide.

Officially, slavery was abolished in Mauritania in 1981, nearly a century after the rest of the world had banned it, but activists are still fighting every day to free tens of thousands of black Mauritanians who are owned by others. They have no rights. They do not get paid. Women who have children, often by their owners, have to give their children their owners’ last names, and the children are not entitled to an education. And the battle against slavery is hazardous for activists, lawyers and the journalists who report on it.

 

Episode 2 – Timbuktu at the Crossroads

Timbuktu was a dream destination for any traveller brave enough to cross the Sahara. Centuries ago, mythical stories were told about Timbuktu; the streets were said to be paved in gold.

In 2012 the city was taken by an alliance of Tuareg separatists and Ansar Dine Jihadists. They realised the dream of generations of Tuareg nomads: their own state, under the name of Azawad. Ancient tombs were destroyed and for nine months, Timbuktu lived under the strict sharia regime until the French army was brought in to free the city.

We meet the owner of the only bar in Timbuktu, the son of a mixed marriage between a Malian mother and a French soldier. It was this ancestry that saved his life on the day that the Jihadists took over the city. Everyone in Timbuktu has two identities. The local journalist who had to run propaganda for the occupiers to stay alive. The young women who were abused by the Jihadists, but then came back to celebrate and dance to a song that praises the ideals of their abusers.

Timbuktu it seems remains a dangerous city in the grips of an identity crisis.

 

Episode 3 – Niger: Stuck in the Middle

For centuries, the frontier desert-city of Agadez was the starting point for travellers crossing the Sahara; the hub between West Africa and the Mediterranean, but the European migration panic has had a huge impact on Agadez. Under pressure from Brussels and in receipt of substantial payments, the government of Niger has adopted a law prohibiting the transport of migrants.

The law has left over 6000 smugglers unemployed. Their cars have been confiscated, many have been arrested, and most of the migrants in Agadez have been sent back to neighbouring countries of Algeria and Libya.
Today, Agadez is an angry city. The EU had promised alternative employment, but of the 6000 candidates, only 200 jobs materialised. The former smugglers blame their own bureaucrats who charged fees to assist them in filling in forms, but then sat back and did nothing.

Some of the smugglers have moved to the goldmines in the Sahara, indescribably difficult work in the 45 degree heat, and a far cry from their lucrative former employment.

There is a volatile atmosphere in the streets of Agadez. Monday always used to be the day of departure for the smugglers. Can it be that the smugglers of Agadez have found a new way to circumvent the wishes to Europe and the blockades?

The Manor

Shawney calls himself a filmmaker, but he’s been a strip-club manager for longer. When he was six his father bought “The Manor”, a small-town strip club.

Thirty years later, the family’s lifestyle has got the better of them. While his 400-pound father prepares for stomach-reduction surgery, his 85-pound mother has her own complicated relationship with food. Shawney’s role as struggling filmmaker and outcast son provides a rare glimpse into a family facing the consequences of their livelihood and dependence.

Told with humor and frankness, The Manor is an intimate portrait of people struggling to call themselves a family.

“There’s more than a faint echo of ‘Grey Gardens’ in this Canadian-gothic portrait of an unusual family business.”
Variety

The Manor… [rises] to the ranks of some of the best family portrait documentaries.”
Indiewire

“in the vein of Capturing the Friedmans and Crazy Love”
Filmmaker Magazine 

“78 minutes rich with character, incident, friction, deadpan humour and voyeuristic thrills.”
The Globe & Mail

***Opening Night Film – Hot Docs***
***Official Competition – Karlovy Vary – Winner, Honorable Mention Best Documentary***
***Official Competition Opening Night – Zurich***
***Official Competition – Woodstock – Winner, Best Editing***
***Official Selection – Bergen***
***Official Selection – Goteborg***
***Official Selection – DOCNYC***
***Official Selection – Antenna***
***Official Selection – DMZ***