Tag Archives: justice

Along Gaddafi’s Road

For the first time in 42 years, a camera enters Southern Libya in what was forbidden territory under the Gaddafi regime.

Shortly after Gaddafi’s demise, we accompany members of the disgraced Tabu tribe along the road to their impoverished desert territory near the Algeria-Niger-Chad borders 1000 Km from Tripoli.

Electricity has been on again for barely two months, mobile phones haven’t worked for seven. Fuel is scarce and queues are endlessly long. Two widespread weapons are in use: sat phones and Kalashnikovs.

Closely guarded by rebel escorts for security reasons, we follow the illegal immigrants route all the way to the Niger border. We discover how Gaddafi challenged Europe at the beginning of the revolution by sending and financing flows of migrants. Rebels, smugglers and victims of the old regime tell their stories.

The desert’s well-preserved secrets now finally come to light.

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.

Cult Witness

At the age of 19 Samuel Stefan, consumed by crisis, was drawn into a cult. It would be 10 years before he was able to escape.

Using a technique called ‘love-bombing’ cults prey on the vulnerable, recruiting new members with love and warmth. After a period of brain-washing, members are forbidden to leave, enslaved through psychological control, and in Samuel’s case, even violence. He was finally able to escape in the dead of night, persued by other members and seek help.

Cult Witness is an intelligent exploration of how cults attract and manipulate their followers, sharing the disturbing firsthand experiences of Cult Witness director Samuel Stefan and six others who have freed themselves from cults: Jill Mytton (The Exclusive Brethren), Jim Bergin and Judy Garvey (The Gentle Wind Project), Lea Saskia Laasner (The Janus Project), and Celeste Jones and Amoreena Winkler (The Children of God).

Analytical insights into the cult experience are provided by leadership expert Betty Sue Flowers; Benjamin Zablocki, chair of the Department of Sociology at Rutgers University; UCLA Professor Emeritus Bertram Raven, an expert on interpersonal influence and social power relationships; psychotherapist Miguel Perlado, who specializes in cult-related problems; and Urs Eschmann, a specialist in legal issues involving cults.

Cult Witness unravels the hidden world of cults; the hold they have on their victims, the reasons people form and fall prey to them and what takes place within..

Zeitgeist: The Series

The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement.  For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series.

Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues.

Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs.

Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected.

Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as “Power.”

The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole.

Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie.

Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former “Economic Hit-man” and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco.

Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed.

Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions.

Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a “Resource-Based Economy”.

Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better.

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics.

The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health”.

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level.

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed.

Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way.

Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides.

Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.

 

download PDF onesheet – ‘The Movie’>
download PDF onesheet – ‘Addendum’>
download PDF onesheet – ‘Moving Forward’>
download PDF onesheet – ‘The Series’>

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Awards:

WINNER: Award of Excellence; LA Movie Awards, USA. Best Visual Effects; LA Movie Awards, USA. Best Documentary; Image Gazer, USA. Honourable Mention; Indie Gathering, USA. USA. First Documentary, LA Arthouse, USA. Best Cinematography, LA Arthouse, USA. Best Documentary, LA Arthouse, USA. Best Political Documentary, Action on Film, USA.

Official Selections:

Marbella International Film Festival, SPAIN. Salt lake City, USA. White Sands International Film Festival, USA.

When China Met Africa

A historic gathering of over 50 African heads of state in Beijing reverberates in Zambia where the lives of three characters unfold. Mr Liu is one of thousands of Chinese entrepreneurs who have settled across the continent in search of new opportunities. He has just bought his fourth farm and business is booming.

In northern Zambia, Mr Li, a project manager for a multinational Chinese company is upgrading Zambia’s longest road. Pressure to complete the road on time intensifies when funds from the Zambian government start running out.

Meanwhile Zambia’s Trade Minister is on route to China to secure millions of dollars of investment.

Through the intimate portrayal of these characters, the expanding footprint of a rising global power is laid bare – pointing to a radically different future, not just for Africa, but also for the world.

Egypt: Behind the Revolution

Filmed primarily in Egypt in March of 2011, soon after the January revolution, this film introduces you to the Egyptians who lived under Mubarak and helped to bring him down.

Including interviews with revolutionaries from all walks of life fighting for a new start in Egypt, we get an inside glimpse at the sequence of events that led to what some are calling the first Facebook revolution.  Ordinary people give their reasons for taking to the streets of Egypt to call for freedom and reforms, and what led them to demand Mubarak’s resignation.

This broad-ranging film gives the events of January 2010 both the context necessary to fully understand how a powerful regime could fall so suddenly, as well as on-the-ground testimonials that fill in important details that went unreported at the time.

From the brewing discontent that preceded the revolution, to the 18 days of often brutally suppressed protests when success seemed far from inevitable, this film puts us in the centre of the action. Finally, Egypt: The Story Behind the Revolution captures the peoples joy and relief when Mubarak steps down after thirty years in power.

The Devil Operation

The charismatic Father Marco Arana, named a Hero of the Environment in 2009 by TIME Magazine, has been so effective in advocating against the US-owned Yanacocha mine that he’s code-named “the Devil” and targeted in a campaign of harassment and terror.

When one colleague is threatened with rape and another is killed, the activists fight back, capture a spy, and uncover a military-scale operation of surveillance and violence that shocks even them.

When billions of dollars are at stake, just how far are corporations willing to go to protect their bottom line?

A gripping David and Goliath tale of corporate espionage unfolds in this exposé of torture, intimidation, and murder of Peruvian eco-activists and indigenous farmers. Shocking video footage, horrifying photos, and meticulous reports compiled by private security firms working for gold mines are uncovered by the filmmakers to reveal the truth in this real-life political thriller.

Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

The Unreturned

Iraq’s continuing middle-class refugee disaster is a crucial but unacknowledged reason why peace in Iraq remains so elusive. Forty percent of Iraq’s professional class is now displaced in neighboring countries. This is an unmitigated disaster for Iraq, a shattered nation that desperately needs its native professional class to help rebuild.

The Unreturned, filmed in Syria and Jordan, lets the displaced Iraqi middle class speak for itself.

This film vividly portrays the lives of five displaced Iraqis from different ethnicities and religions. Caught in an absurdist purgatory of endless bureaucracy, dwindling life savings, and forced idleness, these refugees nevertheless radiate vitality and warmth. With an unflinching eye, candid dialogue, and a subtle touch of humour, The Unreturned captures scenes of daily life that are both personal and illustrative of the larger issues facing Iraq.

Trial of a Child Denied

When Helena Ferenciková was 19 years old and in the throes of labour with her first child, she was told to sign a document. Only afterwards did she realise she had authorised her own sterilisation. Eleven years previously, the same happened to Elena Gorolová.

Both women are fighting for justice.

As Roma women, they face the hardships common to Roma communities throughout Europe as well as the difficulties of their own cultural norms which value a woman’s fertility above all else. With the Czech media demonising them as liars, parasites and trouble makers, and their own family alarmed at the attention, they struggle on. Helena has chosen legal action, and became the first Roma woman to win a case against the hospital that sterilised her and Elena addresses international audiences to ensure this never happens again.

Helena and Elena’s situations are a microcosm for the multiple sources of social injustice facing the Czech Republic’s Roma community. Through their poignant and unnerving stories, this film unearths the shocking anachronism of the practice of forced sterilisation that continued long after the Communist mandate.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks