A Revolution in Four Seasons

This seminal film tells the story of two women with opposing political views fighting for their different versions of a democratic future for Tunisia, the country that sparked the Arab Spring.

Over the course of Tunisia’s critical post-revolution years, we follow journalist Emna Ben Jemaa, who envisions a country governed by free speech and without the corruption of the former regime. In contrast, Jawhara Ettis of the Islamist party Ennahda works towards a Tunisia guided by Islamic principles.

On a public level, both women must navigate how females are treated in their society, while in their own homes they must make difficult choices to balance their public political roles with marriage and motherhood.

Both know the stakes are high and the ever-present threat of Islamic extremists means their fragile political process could break down at any moment and all they’ve worked for could be lost.

Through the intertwined stories of Emna and Jawhara, the unresolved tensions of the Arab spring are laid bare. A Revolution in Four Seasons gives both a comprehensive review of this crucial period as well as an intimate look at what these sometimes painful compromises mean for those living in a country struggling to define itself.

A Revolution in Four Seasons from Sideways Film on Vimeo.

Propaganda

Controversial to its core, this hard-hitting anti-Western propaganda film, which looks at the influence of American visual and consumption culture on the rest of the world from a North Korean perspective, has been described as ‘either a damning indictment of 21st Century culture or the best piece of propaganda in a generation.’

Propaganda signals the birth of a new genre-bending generation of film maker. Using the ‘fake North Korean propaganda’ found-footage device, Slavko Martinov first parodies its language and stylings, before targeting the mountain of hypocrisies and contradictions that make up the modern Western narrative. In doing so, Propaganda delivers a devastating blow to those who might be quick to laugh at ‘backward’ ideologies before considering how 21st century political and cultural trends have weakened any claims to the moral high ground.