Beautiful Faces

Beautiful Faces offers a compelling look at one of the world’s most remarkable hospitals, the disfigured young patients to whom it offers new lives, and the team of surgeons, physicians, and medical professionals who believe it’s the best place in the world to practice their unique, life-transforming craft.

You’ll come away convinced that health-care can be affordable, humane, and excellent, and that every one of us deserves a face with which we can bravely meet the world.

Hospital General Gea Gonzalez, located in Mexico City’s frenetic Tlalpan district, is surrounded by a high metal-barred fence, its entrances guarded by policemen carrying automatic weapons. On any day, literally thousands of impoverished Mexicans wait patiently for services, often for many hours, yet the hospital’s plastic and reconstructive surgery unit.

It is a hospital that ably demonstrates that even the very poor can receive excellent medical care at costs that don’t bankrupt health-care systems and that everyone can be offered the basic human right of a normal face.

Beautiful Faces interweaves the stories of patients and their families who come to the reconstructive plastic surgery unit at Hospital Gea Gonzalez seeking physical transformations that will renew their own and their loved ones lives with the personal stories of the enormously talented medical professionals whose work is both their passion and their gift to humankind.

The film chronicles the remarkable community of caregivers and care-receivers who come together on the hospital’s fascinating fourth floor, and who profoundly influence each others lives. From Dr. Fernando Ortiz Monasterio, the beloved patriarch whose demands for excellence from his subordinates remain exacting, to four-year-old Sebastián Castillo, whose irrepressible enthusiasm for life helps him cope remarkably with the challenges of Crouzon’s syndrome, Beautiful Faces is a mosaic of stories–the richly visual tales of people who meet in a singular place and who collectively understand that in valuing individual lives and striving to make them better, we value all of humanity.

Beautiful Faces ultimately demonstrates that, in many ways, the distinction between patients and caregivers is only an illusory one, and that much more than cutting, sawing, and sewing, the essential task of the hospital is the freeing of the human spirit. It is work that allows doctors and patients alike to look comfortably in the mirror and understand that they are vitally important members of the human family.

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.

Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.