Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.

China: The Rebirth of an Empire

China’s unprecedented growth has placed it on the verge of overtaking the United States as the world’s preeminent power. But what type of power will China become? In today’s interconnected and globalized world, the answer effects each and every one of us.

In Pakistan and Afghanistan, China’s humanitarian activities and investment in infrastructure have won it the hearts and minds of the people. Yet in Tibet and Xinjiang, China is reviled as an imperialistic abuser of human rights. Will China use its strength to dominate its neighbors and become a 21st century empire, or will China’s youth lead the country towards democracy?

Whether it’s a peaceful rise or potential threat, China’s 21st century emergence as a great world power will change the lives of everyone.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

The Unreturned

Iraq’s continuing middle-class refugee disaster is a crucial but unacknowledged reason why peace in Iraq remains so elusive. Forty percent of Iraq’s professional class is now displaced in neighboring countries. This is an unmitigated disaster for Iraq, a shattered nation that desperately needs its native professional class to help rebuild.

The Unreturned, filmed in Syria and Jordan, lets the displaced Iraqi middle class speak for itself.

This film vividly portrays the lives of five displaced Iraqis from different ethnicities and religions. Caught in an absurdist purgatory of endless bureaucracy, dwindling life savings, and forced idleness, these refugees nevertheless radiate vitality and warmth. With an unflinching eye, candid dialogue, and a subtle touch of humour, The Unreturned captures scenes of daily life that are both personal and illustrative of the larger issues facing Iraq.