Sex Robot Madness

As Big Tech shifts its focus from the attention economy to the emerging “intimacy economy,” the question arises: Are we ready for customizable lovebots designed to push our most primal buttons? Sex Robot Madness is a fast-paced, unapologetic dive into human-machine intimacy, where the line between connection and commodification blurs.

Through interviews with leading experts, authors, sex workers, inventors, and even the world’s first commercially available sex robot, this documentary explores whether sex robots will serve as a solution to the epidemic of loneliness—or if they’ll pour gasoline on the fire of societal isolation. The debate is fierce, with strong and sometimes terrifying points made on both sides.

Tough ethical questions about the commodification of intimacy, the objectification of women, and the implications of leasing a lover from a major corporation are just part of what’s tackled head-on. Intelligent, humorous, and deeply personal, Sex Robot Madness charts the filmmaker’s own journey as he grapples with the allure of artificial intimacy in his own life.

No stone is left unturned, weaving personal vulnerability with a punk rock attitude and a sense of urgency. Society can’t afford to be caught off guard by a future filled with robots capable of fulfilling our deepest desires. Whether you find the idea thrilling or terrifying, one thing is clear: It’s time to have this conversation—before we’re surrounded on all sides by artificial lovers who may understand us better than we understand ourselves.

Breaking the News

The 19th is the first nonprofit, nonpartisan news agency in the United States. Its mission is to focus on the impact of national politics and policy on women.

Breaking the News immerses its audience in the lives and pursuits of the members of The 19th – women and LGBTQ+ journalists – as they struggle to launch the agency and gain traction for their newsroom amidst an America upended by Trump, the Pandemic, Black Lives Matter and more.

Breaking the News provides an inquisitive and dynamic view of the inner workings of a news agency as its journalists aim to disrupt entrenched biases including their own, push for accountability and get the news stories that concern women on the front pages, where they belong.

Beyond Men and Masculinity

This is not a film about men versus women. Beyond Men and Masculinity explores how men see themselves, how they relate to the people they say they care about and how the personal impacts the political.

What happens when men are taught to disconnect from their feelings in the name of being strong and independent? What is the link between shame and male violence?
Why do we find it hard to value kindness and compassion in men? And what role do women play in defining what is expected from men and masculinity?

A discussion of these sometimes uncomfortable questions is now more crucial than ever. From the therapy room to the political battlefield, this provocative film offers a clear insight into why we must look beyond traditional definitions of men and masculinity.

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Non Western

We join Thaddeus and Nanci, a Native / Non Native Montanan couple, in the lead up to their wedding, as they face their biggest challenge yet. Thaddeus wants Nanci to convert to his Cheyenne way of life even if it forces Nanci into a subordinate role.

Both Nanci and Thaddeus were adopted as teenagers by families with different ethnicities: Thaddeus by a white Christian family, and Nanci by the Lakota tribe. It’s no coincidence they have sought shared experience and understanding in one another.

Thaddeus believes in returning to his Cheyenne culture and through running sweats he finds peace from the PTSD he suffers. Nanci wants to please him, to find a balance between life in the modern world and her Native traditions even if that means denying her independence.

Under the strain of trying to co-habit and survive together, we see the cracks in their values showing through. Cracks which reveal not just the trauma they suffered growing up, but the chain of oppression endemic in Montana.

Taboo: Season 4 – Machismo

Episode 1 – And God created the Man…

At the heart of Latin cultures is a disease called Machismo, that gives men power over women. In extreme circumstances it can lead to murder, but even amongst the attitudes of men, who are completely unaware, we reveal attitudes that demonstrate there is a long way to go before we achieve equality.

Episode 2 – Once Upon a Time

How is it to be a young girl in Latin societies today? We delve in to the world of children and young adults – are they embracing the stereotypes of generations gone by, or forging a new path? The answer is both.

Episode 3 – Survivors

In this third episode we hear the stories of the older generation, women who have suffered – for the most part in silence – at the hands of men, and with the complicity of the culture and the state.

Episode 4 – Till death separates us

And now we hear from the men. Introspective men reflecting on what masculinity means to them, others trying to create a more equal society and those with regrets. Men with violent pasts – both physical and psychological – exploring how they became what they are.

A Revolution in Four Seasons

This seminal film tells the story of two women with opposing political views fighting for their different versions of a democratic future for Tunisia, the country that sparked the Arab Spring.

Over the course of Tunisia’s critical post-revolution years, we follow journalist Emna Ben Jemaa, who envisions a country governed by free speech and without the corruption of the former regime. In contrast, Jawhara Ettis of the Islamist party Ennahda works towards a Tunisia guided by Islamic principles.

On a public level, both women must navigate how females are treated in their society, while in their own homes they must make difficult choices to balance their public political roles with marriage and motherhood.

Both know the stakes are high and the ever-present threat of Islamic extremists means their fragile political process could break down at any moment and all they’ve worked for could be lost.

Through the intertwined stories of Emna and Jawhara, the unresolved tensions of the Arab spring are laid bare. A Revolution in Four Seasons gives both a comprehensive review of this crucial period as well as an intimate look at what these sometimes painful compromises mean for those living in a country struggling to define itself.

A Revolution in Four Seasons from Sideways Film on Vimeo.

BAKUR: Inside the PKK

Shot in secret, BAKUR: Inside the PKK is the worlds first documentary made with inside access to the Kurdish separatist group, who are considered a terrorist organisation by Turkey, the US and NATO. The result is an inside look at the undeclared war going on in Turkey for decades. This was the first time any film crew had ever accessed these camps.

To date, the PKK has lost over 30 thousand of its members in combat against the Turkish State. What is the PKK’s perception of the state, justice and authority? What constitutes the foundation of their relationship to the people? How did the Kurdish movement evolve over the years into a battle for freedom founded on the women’s rights movement? How do the guerrillas who have been living under wartime conditions for 40 years manage to survive all year-round in the harsh outdoor living conditions in the mountains?

In search for answers to all of these questions, BAKUR: Inside the PKK introduces the audience to men and women who have chosen to join the armed resistance in order to create a new future. We witness life in three guerrilla camps located in three different regions of Kurdish territory within the Turkish borders.

Beautifully shot over months, we follow the lives of guerrilla fighters including the training and graduation of new recruits, their justice system and the progressive philosophies that guide them.

 

BAKUR: Inside the PKK from Sideways Film on Vimeo.

The Abortion Hotline

In Chile, where abortion remains illegal and punishable by imprisonment, we follow a group of young activists who run an underground abortion hotline. Our protagonist Mafe is backed by a group of trusted volunteers who dedicate their evenings to answering calls and advising pregnant women in distress. Their goal: to inform callers about Misoprostol, a pill used to treat ulcers that can also induce abortion.

But change is in the air. After a heated election campaign, new President Michelle Bachelet has promised to loosen certain laws related to abortion. As the debate intensifies we witness first hand the trials and tribulations of the hotline as they find themselves taking centre stage. Election promises become diluted, allegiances are formed and broken with opportunists profiting from illegal abortions and the countries deep divisions are laid bare.

Can the hotline survive personal differences, will they remain safe from the authorities or will progressive reforms render the abortion hotline obsolete? 

The Abortion Hotline from Sideways Film on Vimeo.

Call Me Dad

Can violent men change? Call Me Dad is a film that takes its audience to the most delicate and painful place inside a parent’s heart. A place where good intentions and hope are pitted against entrenched and tormenting cycles of violence.

For some of these fathers, their fists are their weapons. For others, words and manipulation are most potent, used as part of a sustained pattern of intimidation, threats, and abuse intended to isolate, diminish and control the people they love. Now these men are seeking change. They have come together to talk, share information, challenge and support each other to be better men, partners and fathers to their children.

The group’s founder and facilitator David Nugent believes that women and children have the right to live their lives free from violence, and that men can change if they have the will and opportunity to do so. He challenges men to take ownership of their abusive and violent behaviours, and shows them that they can make different choices, and in doing so, can stop the cycle of violence.

David draws these men deep into conversation about the underbelly of patriarchal forms of masculinity, and the ways in which sexism can harm and diminish women, and constrict and isolate men.

Together the participants in David’s program are reaching for the courage and knowledge they need to be good partners, and good fathers. These men have taken the brave and difficult decision to confront their behaviours and histories head-on. These Dads are fighting to change the story for the next generation. Can these men re-establish ‘family’?

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.