Tag Archives: USA

The Price of Fairness

Why do we accept huge levels of inequality and social injustice? This is one of the central questions that The Price of Fairness sets out to answer, beginning with a surprising set of social experiments in Norway, which suggest that our willingness to support systems of inequality is far greater than we are often prepared to admit.

In Atlanta, we take a different look at fairness, from the perspective of a group of capuchin monkeys. Behavioural scientist Sarah Bronson’s work with the monkeys questions the idea that we have an evolutionary tendency towards selfish behaviour. Could it be that the outrage we feel towards systems of inequality have roots in our human need for cooperation? 

We visit Costa Rica and Iceland to see how whole economies have been engineered to function with greater ‘fairness’, and the US where systematic racial injustices have tested many of their citizens hopes for a fairer justice system.

From the caste-biased villages of India to the race-sensitive streets of Ferguson, Missouri, this documentary explores our understanding of fairness and what it takes to change an unfair system.

Touching on issues of economic, political, racial and gender inequality, this film offers a thought-provoking and timely look at what fairness really means to us. 

Reportage (series)

Blood Tusks

A hundred elephants die every day in Africa killed by poachers, members of the militia or of terrorist organizations like Al Shabab. Their tusks sell for €600 per kilo, and an emerging middle class in China demands ivory as symbol of their new wealth status and International criminal gangs are there to cater to them. The tusks of these poor animals are pulled out while they´re still alive because they´re more valuable that way, and most of those apprehended do not even face a fine. Experts from the UN, ecologist organizations and Interpol warn that Elephants face extinction. In this episode we investigate this brutal industry meeting with every link in the chain from the poachers and sellers to the environmentalist and law enforcement.

War Lords

Somalia has the perfect ecosystem for endless war: European mercenaries, pirates, Al Qaeda jihadists, weapon smugglers, drought and hunger. We enter an absurd, anarchic reality where warlords will switch allegiances to gain security and stability, again to make profit and perhaps again for religious conviction. We meet with one of ‘good’ warlords whose troop of mercenaries are working for the local government for now. His militia was the only one that could win the Islamists from Al Shabab, but in Somalia, loyalty is with the clan and not with the State. We venture into one of the refugee camps for the internally displaced, the result of an exodus that has displaced almost two million Somalis. With the highest child mortality rate in the world – Islamists prohibited vaccinations as they considered them part of a Western conspiracy – to add to their troubles, alongside war, hunger, disease and the threat of kidnap – Somalia can be considered the most dangerous country in the world.

Honduras: The Mara´s Life   

Nineteen people are murdered every day in Honduras, the most violent country without a war in the world. Sistiaga experiences the daily horror of life on the streets in the cities of Honduras. Within three days of arriving he has already witnessed 12 murders: taxi drivers, engineers, drug dealers, gangsters. Killing is not the means but the goal itself, and brutality prevails – beheadings and dismemberment no longer make headlines. Young gangsters will kill each other for a corner to sell their drugs. The Maras control whole neighbourhoods in Honduras, drug dealers impose their law and the police are infiltrated and corrupted.

Holy Land

Half a million Israeli settlers live within the Palestinian territories forming the main barrier to a two-state solution. They do not see themselves as colonists or invaders, but rather pioneers. Some see themselves as the vanguard that will welcome the arrival of the Messiahs to the lands of Abraham, and others consider themselves a barrier against Islamic extremism. Many however, live in the colonies because the houses are cheaper. Living at the ground zero of our ages defining conflict however takes its toll as we see both sides locked in every day conflict and mutual mistrust that permeates every waking minute, and is the prism through which their identity is defined. We travel to this committed and obstinate world, a community suspicious of foreigners and the International press, and that welcomes isolation. They are convinced that anti Semitism govern the world, and that this land was promised to them. We travel to the Holy Land.

No Country for Women

It’s one of the biggest economies in the world and one of the most powerful members of the G-20 club. But India is not a country for women. Every hour a woman is killed. Mothers will abort when they know the gender of the baby, and many women in India will suffer every kind of humiliation and violence. Some will be sold as sex slaves before they are 12 years old, others will be force to marry as soon as they have their first period. More will suffer beatings or will be raped by gangs without consequence, or burnt with acid by their own husbands following brutal cultural traditions. We travel to the most savage and archaic India. The one you can´t find on the touristic guides or at G-20 meetings.

Hunting Homosexuals

Uganda is a Paradise for European tourists, one of the most Christian countries in Africa and the most homophobic country on the continent. The Parliament debates the Anti Homosexuality Law, also known as the ‘Killing Gay Law’. ‘They are very dangerous, they can finish Humanity’ This is how reverend Simon Lokodo – Minister of Ethics and Integrity – speaks about gays in a deeply Christian country, one of 80 countries in the world where being homosexual is a crime. They contemplate the death penalty for what they call ‘grave homosexuality’ or life sentence for the couples that dare to get married. There have been already assassinations of activists, beatings, intimidation and persecution. This episode uncovers the messianic arguments of the leaders that spread hate, and we give voice to the few gay activists that dare to face them.

Riding the Beast

The Beast is the train running through Mexico that everyday carries Central American migrants who dream of a better life in the United States. The reality is that on this most dangerous of journeys, the threat of kidnap, rape, violence and murder is constant as carrying their worldly belongings makes them an obvious target for gangs. Catastrophic accidents causing amputation and death are commonplace giving ‘the beast’ a second nickname, the ‘migrant mincer’. 20,000 people a year are kidnapped, a further 5,000 ‘missing’ and the route is strewn with shallow graves. In this episode we ride ‘the beast’ and experience the hardships of those who risk everything on its back. We meet with migrants searching for a better life, victims of its brutality and the support industry of kitchens, guides and markets that have grown alongside this arduous track.

Albino: A Story of Fear and Prejudice

In Tanzania, albino´s are feared and hated as many believe they are cursed and bring bad luck. As a result of these terrible superstitions they have become victims of mutilation and murder. To be born as an albino in certain places in Africa continues to be the worst sentence. Black magic rituals use their organs and witch doctors will pay high fees for their limbs. In this episode we meet with the victims of this heartbreaking reality and those who are trying to end these barbaric traditions.

Walking on Bombs

Afghanistan is full of landmines, which emerged as the most lethal weapon used against North American military forces and their allies. We travel to the south of the country – the most dangerous zone – to enter the world of bomb disposal officers; men and women that walk on bombs. None of them match the stereotype seen in The Hurt Locker and none of them are adrenalin junkies.  In their own words, this is the quickest way of getting killed in Afghanistan. War is over but the bombs remain. Every day, at least one Afghan is killed or mutilated.

How to Organise a Genocide

Rwanda is a country full of murderers, a fact evidenced by the million people who were killed with machetes over 3 months during the Rwandan genocide. We return twenty years on when many of the killers are starting to be released from prison and return to their homes and villages, and live amongst their victims; those who survived the slaughter hiding in swamps. We meet with both the victims and the perpetrators of a genocide, living side by side, which has not been forgotten..

At Hell´s Gate

In this episode we visit Kawah Ijen´s active volcano in Indonesia to investigate the labour conditions that miners bear everyday in extracting its sulphur. In the mouth of the volcano labourers carry upon their backs over 70 kilos of sulphur blocks, double their own weight. We follow the trail of these men –  suffering the worlds worse working conditions – in to ‘the gates of hell’. A strong smell of rotten eggs impregnate everything, the eyes gets irritated, the sulphur makes breathing difficult, the throat burns… This is one of the most toxic places on earth. Few make it past fifty years of age and their bodies are deformed form the heavy loads, for which they are paid €0.01 a kilo or at most €3 a day.                

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Why I’m Not On Facebook

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social network.

From long lost high school friends who use it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and worst of Facebook is on display. We meet couples bought together using the site, and those driven apart, people who are addicted to its charms and even the Winklevoss twins, the co-creators of Facebook.

Blending interviews with news clips, TV shows and other archival footage, Brant Pindivic documents his search for the meaning of Facebook with a storytelling style that is both personal and endearing, throwing up surprises through out his journey.

The deeper he explores the social network’s vice like grip on those who use it the more he realizes the answers to its popularity lie within.   Whether you’re a fan of Facebook or not, this is one film that is funny, fascinating and a must for anyone wondering what everyone is talking about.

Love Me

Can people find love through the modern “mail-order bride” industry? Or is the international romance business just a scam? Sincere and unflinching, Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love.

Each character’s experience exposes the myths and realities of this unique industry, while also exploring the much deeper, human story that is too often overlooked.

Forget everything you think you know about “mail-order” brides and get ready for an outrageously funny, touching and unforgettable look at the extreme lengths people travel for love.

 

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

The God Cells: A Fetal Stem Cell Journey

Stem Cell research and therapy have been growing at a rapid rate over the past fifteen years. Scientific advances coupled with consumer demand have proven that stem cell therapy is the wave of the future, and is poised to change the face of medicine.

The only hurdles have been religious and regulatory roadblocks slowing down the approval process for fetal stem cell therapy, arguably the most contested and controversial form of stem cell therapy to date, due to them being harvested from abortions.

The God Cells takes the audience on a journey with those who seek the life changing fetal stem cell therapy abroad, while avoiding the seemingly insurmountable roadblocks at home.

“The demand is real, patients with current unmet medical needs are desperate and require this therapy, but the current regulatory and industry hurdles are making it near impossible for us to do our job and get these important stem cell therapies to those people in need. Because of this, many scientific organizations are taking their technology abroad to appease patient demand, because they feel the current regulatory hurdles are insurmountable.”

Randal Mills, PhD, President and CEO for California Institute For Regenerative Medicine

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Inside Her Sex

Inside Her Sex is a thought-provoking documentary that explores female sexuality and shame through the eyes and experiences of three women from different walks of life, each brave enough to chart her own course of sexual discovery.

While we live in a highly sexualized society, the messaging around sexuality, particularly female sexuality, is distorted and rife with shame. What we should look like, who we should want, what we should desire…in fact, who we should be, is dictated to us from screens and pages and people. As if there is one correct answer.

Stepping outside the common narrative is never straightforward. Exposing our deeper selves can be terrifying, even risky.

Candice, Elle, and Samantha have little in common. Not their age, not their hometowns, not their family circumstances. But they are all women. They are all sexual. And be it through circumstance or happenstance, they have each faced their sexual selves head on, and chosen to step outside the bounds of what society has dictated they should be, raising some interesting questions:

What happens if we are able to tap into our innate sexuality? To push beyond the bounds of societal structure and expectation? To stand up to powerful messaging and divert from the prescribed course?

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.