Bad Hombres

Bad Hombres explores the most heavily used migration route on Earth. Journalist Stef Biemans traveled between Guatemala and the US to see what the so-called ‘bad hombres’ hope to find in the USA.
Who are the people who inspired the building of a wall on the Mexican border?

“Biemans stays calm at all times and defers to his subjects. The result is rich and integral television, sometimes moving and always captivating”

De Volkskrant

Also available as a five part series:

Episode One:

Episode Two:

Episode Three:

Episode Four:

Episode Five:

91%: A Film About Guns in America

America’s 325 million residents own an estimated 347 million firearms. Not surprisingly, gun violence has become one of the most urgent public health issues facing Americans today.

In 91%, a cross-section of U.S. gun violence victims tell their heartbreaking stories of loss, pain, and a heroic search for hope in a nation stalled in a senseless gun control debate. Throughout these otherwise unrelated shootings, we find a common thread – the gunmen had all-too- easy access to the virtually untraceable, high-powered weaponry used in their attacks.

In the wake of the Sandy Hook Elementary School massacre, a 2013 poll revealed that 91% of Americans support comprehensive background checks – a factor that could prevent thousands of similar gun violence tragedies nationwide. Yet, divisive political rhetoric and congressional gridlock continues to perpetuate a flawed system that hurts communities across the country.

Moving beyond the confusing gun control politics and avoiding any discussion about the often-unpredictable motivations of rampage killers, 91% shows that Americans almost unanimously support both 2nd amendment rights and common sense regulation. The film finds a shared language between citizens on both sides of the issue, encouraging them to move common sense policy forward by speaking up in a conversation typically dominated by firearm lobbyists and manufacturers.

By highlighting the impact of unregulated gun sales on schools, families, and communities across the country, 91% addresses the real problems and possible solutions to gun violence in America. It’s something we all agree about, we just don’t know it yet.

Journey to Space

Narrated by Patrick Stewart and available in native 4K and 3D, Journey to Space reveals that Nasa’s next era will be its greatest yet. Journey to Space showcases the exciting plans NASA and the space community are working on, and the challenges they must overcome to carry out audacious missions from landing astronauts on Mars to capturing asteroids.

We put into historical context the magnificent contributions made by the Space Shuttle program and its intrepid space pioneers using spectacular space footage – including unique views of Earth and operations in space – such as deploying and repairing the Hubble Space Telescope. We go on to show how the Shuttle launched and assembled the International Space Station. Together, these programs have taught us how to live, build and conduct science in space. The International Space Station will continue operating in space until 2024; Journey to Space shows how it is building a foundation for the next giant leaps into space.

 

The Price of Fairness

Why do we accept huge levels of inequality and social injustice? This is one of the central questions that The Price of Fairness sets out to answer, beginning with a surprising set of social experiments in Norway, which suggest that our willingness to support systems of inequality is far greater than we are often prepared to admit.

In Atlanta, we take a different look at fairness, from the perspective of a group of capuchin monkeys. Behavioural scientist Sarah Bronson’s work with the monkeys questions the idea that we have an evolutionary tendency towards selfish behaviour. Could it be that the outrage we feel towards systems of inequality have roots in our human need for cooperation? 

We visit Costa Rica and Iceland to see how whole economies have been engineered to function with greater ‘fairness’, and the US where systematic racial injustices have tested many of their citizens hopes for a fairer justice system.

From the caste-biased villages of India to the race-sensitive streets of Ferguson, Missouri, this documentary explores our understanding of fairness and what it takes to change an unfair system.

Touching on issues of economic, political, racial and gender inequality, this film offers a thought-provoking and timely look at what fairness really means to us. 

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Why I’m Not On Facebook

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social network.

From long lost high school friends who use it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and worst of Facebook is on display. We meet couples bought together using the site, and those driven apart, people who are addicted to its charms and even the Winklevoss twins, the co-creators of Facebook.

Blending interviews with news clips, TV shows and other archival footage, Brant Pindivic documents his search for the meaning of Facebook with a storytelling style that is both personal and endearing, throwing up surprises through out his journey.

The deeper he explores the social network’s vice like grip on those who use it the more he realizes the answers to its popularity lie within.   Whether you’re a fan of Facebook or not, this is one film that is funny, fascinating and a must for anyone wondering what everyone is talking about.

Love Me

Can people find love through the modern “mail-order bride” industry? Or is the international romance business just a scam? Sincere and unflinching, Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love.

Each character’s experience exposes the myths and realities of this unique industry, while also exploring the much deeper, human story that is too often overlooked.

Forget everything you think you know about “mail-order” brides and get ready for an outrageously funny, touching and unforgettable look at the extreme lengths people travel for love.

 

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

The God Cells: A Fetal Stem Cell Journey

Stem Cell research and therapy have been growing at a rapid rate over the past fifteen years. Scientific advances coupled with consumer demand have proven that stem cell therapy is the wave of the future, and is poised to change the face of medicine.

The only hurdles have been religious and regulatory roadblocks slowing down the approval process for fetal stem cell therapy, arguably the most contested and controversial form of stem cell therapy to date, due to them being harvested from abortions.

The God Cells takes the audience on a journey with those who seek the life changing fetal stem cell therapy abroad, while avoiding the seemingly insurmountable roadblocks at home.

“The demand is real, patients with current unmet medical needs are desperate and require this therapy, but the current regulatory and industry hurdles are making it near impossible for us to do our job and get these important stem cell therapies to those people in need. Because of this, many scientific organizations are taking their technology abroad to appease patient demand, because they feel the current regulatory hurdles are insurmountable.”

Randal Mills, PhD, President and CEO for California Institute For Regenerative Medicine

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White