Love Me

Can people find love through the modern “mail-order bride” industry? Or is the international romance business just a scam? Sincere and unflinching, Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love.

Each character’s experience exposes the myths and realities of this unique industry, while also exploring the much deeper, human story that is too often overlooked.

Forget everything you think you know about “mail-order” brides and get ready for an outrageously funny, touching and unforgettable look at the extreme lengths people travel for love.

 

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Inside Her Sex

Inside Her Sex is a thought-provoking documentary that explores female sexuality and shame through the eyes and experiences of three women from different walks of life, each brave enough to chart her own course of sexual discovery.

While we live in a highly sexualized society, the messaging around sexuality, particularly female sexuality, is distorted and rife with shame. What we should look like, who we should want, what we should desire…in fact, who we should be, is dictated to us from screens and pages and people. As if there is one correct answer.

Stepping outside the common narrative is never straightforward. Exposing our deeper selves can be terrifying, even risky.

Candice, Elle, and Samantha have little in common. Not their age, not their hometowns, not their family circumstances. But they are all women. They are all sexual. And be it through circumstance or happenstance, they have each faced their sexual selves head on, and chosen to step outside the bounds of what society has dictated they should be, raising some interesting questions:

What happens if we are able to tap into our innate sexuality? To push beyond the bounds of societal structure and expectation? To stand up to powerful messaging and divert from the prescribed course?

The Manor

Shawney calls himself a filmmaker, but he’s been a strip-club manager for longer. When he was six his father bought “The Manor”, a small-town strip club.

Thirty years later, the family’s lifestyle has got the better of them. While his 400-pound father prepares for stomach-reduction surgery, his 85-pound mother has her own complicated relationship with food. Shawney’s role as struggling filmmaker and outcast son provides a rare glimpse into a family facing the consequences of their livelihood and dependence.

Told with humor and frankness, The Manor is an intimate portrait of people struggling to call themselves a family.

“There’s more than a faint echo of ‘Grey Gardens’ in this Canadian-gothic portrait of an unusual family business.”
Variety

The Manor… [rises] to the ranks of some of the best family portrait documentaries.”
Indiewire

“in the vein of Capturing the Friedmans and Crazy Love”
Filmmaker Magazine 

“78 minutes rich with character, incident, friction, deadpan humour and voyeuristic thrills.”
The Globe & Mail

***Opening Night Film – Hot Docs***
***Official Competition – Karlovy Vary – Winner, Honorable Mention Best Documentary***
***Official Competition Opening Night – Zurich***
***Official Competition – Woodstock – Winner, Best Editing***
***Official Selection – Bergen***
***Official Selection – Goteborg***
***Official Selection – DOCNYC***
***Official Selection – Antenna***
***Official Selection – DMZ***

Are All Men Pedophiles?

We live in a society that condemns pedophiles, though biological instinct and world cultures throughout history suggest that an attraction to adolescents is as natural as it is unavoidable. The fashion industry on the one hand sexualises ever younger girls while those who act on these instincts are reviled. The apparent hypocrisy at the heart of society forces the question: What do we mean then when we talk about Pedophilia?

This films broad canvas takes in how our evolution and biological make-up have through-out history created cultures where what would today be called Pedophilia has passed without note, and with the complicity of all religions.  It also looks at how media definitions differ to scientific ones, whether Pedophilia could be considered a sexuality, how the definition differs between modern societies as well as presenting the testimony of both victims and perpetrators.

In conclusion, we are faced with both the contradiction of a society which fetishizes youth and the question: Are All Men Pedophiles?

Kano: An American & His Harem

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and invites hundreds of women to live with him in his compound. Through money and violence, he was able to rule as a king. “It was like having a vacation everyday”, he recalls proudly.

In 2002 he was charged with over 80 counts of rape.

Victor Pearson is now in jail serving two life sentences, but many of the women remain by his side. Pearson and his harem form an extended family bound together with codependency and power issues. Although still behind bars, he has since married five of the women who testified against him in court keeping them in apartments in the neighbourhood.

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream. When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle and education he provided these women with, outweigh the charges leveled at him.

“Kano” is the fascinating story of a convicted rapist and the women who come together to form a most dysfunctional family.

Trial of a Child Denied

When Helena Ferenciková was 19 years old and in the throes of labour with her first child, she was told to sign a document. Only afterwards did she realise she had authorised her own sterilisation. Eleven years previously, the same happened to Elena Gorolová.

Both women are fighting for justice.

As Roma women, they face the hardships common to Roma communities throughout Europe as well as the difficulties of their own cultural norms which value a woman’s fertility above all else. With the Czech media demonising them as liars, parasites and trouble makers, and their own family alarmed at the attention, they struggle on. Helena has chosen legal action, and became the first Roma woman to win a case against the hospital that sterilised her and Elena addresses international audiences to ensure this never happens again.

Helena and Elena’s situations are a microcosm for the multiple sources of social injustice facing the Czech Republic’s Roma community. Through their poignant and unnerving stories, this film unearths the shocking anachronism of the practice of forced sterilisation that continued long after the Communist mandate.