Tag Archives: Death

91%: A Film About Guns in America

America’s 325 million residents own an estimated 347 million firearms. Not surprisingly, gun violence has become one of the most urgent public health issues facing Americans today.

In 91%, a cross-section of U.S. gun violence victims tell their heartbreaking stories of loss, pain, and a heroic search for hope in a nation stalled in a senseless gun control debate. Throughout these otherwise unrelated shootings, we find a common thread – the gunmen had all-too- easy access to the virtually untraceable, high-powered weaponry used in their attacks.

In the wake of the Sandy Hook Elementary School massacre, a 2013 poll revealed that 91% of Americans support comprehensive background checks – a factor that could prevent thousands of similar gun violence tragedies nationwide. Yet, divisive political rhetoric and congressional gridlock continues to perpetuate a flawed system that hurts communities across the country.

Moving beyond the confusing gun control politics and avoiding any discussion about the often-unpredictable motivations of rampage killers, 91% shows that Americans almost unanimously support both 2nd amendment rights and common sense regulation. The film finds a shared language between citizens on both sides of the issue, encouraging them to move common sense policy forward by speaking up in a conversation typically dominated by firearm lobbyists and manufacturers.

By highlighting the impact of unregulated gun sales on schools, families, and communities across the country, 91% addresses the real problems and possible solutions to gun violence in America. It’s something we all agree about, we just don’t know it yet.

Taboo: Season 2 – And in the End, Death

Although death is an essential part of life, society hides, ignores and makes a taboo out of it. Jon Sistiaga confronts the act of dying and how we can die in five episodes across multiple countries, where euthanasia, suicide or the right to die with dignity are approached with an emotion and depth rarely seen on television.

Episode 1 – Prologue

Every year 57 million people die, but do we die well? Exploring euthanasia, assisted suicide and palliative sedation with patients, doctors, carers and clergyman, Sistiaga takes us deep inside of both side of the debate. This first episode is filmed in Italy, where Sistiaga meets the oldest woman in the world, and in Spain.

Tabú, Al final la muerte, ep.1 Prólogo, English subtitled from Sideways Film on Vimeo.

Episode 2 – Epilogue

In Switzerland where assisted suicide has been decriminalised, associations like EXIT and Lifecircle controversially help terminally ill patients carry out their final wishes to end their own lives.  We also visit Colombia, the only Latin American country where euthanasia is legal and get to know those who have made this ultimate decision during their final days.

Taboo – episode 2 – Epilogue from Sideways Film on Vimeo.

Episode 3 – Runaway

The social stigma around suicide has stopped us speaking about what in many countries is a leading cause of death. We meet with those who have survived suicide attempts, those left behind and the authorities responsible for preventing suicide.

Tabú, Al final la muerte, ep.3 Huida, English subtitled from Sideways Film on Vimeo.

Episode 4 – Return

In this fourth episode we meet with sole-survivors, those caught in horrific accidents or crashes who through pure luck escaped death when all of those around did not.  Mankind has always questioned what happened just before death; what happens in that exact instant before you lose your life. What do you feel when you come back? Does the fear to die disappear when you have stared death in the face?             

Tabú, Al final la muerte, ep.4 Retorno, English subtitled from Sideways Film on Vimeo.

Episode 5 – The End

Professor Antonio Aramayona decides to end his life and leave an unprecedented testimony, as we follow him for the six weeks leading up to his death. Amongst his many friends and former students, shock turns to acceptance. The goodbyes come one after another over meals punctuated by tears and laughter until the inevitable day finally comes.

Tabú, Al final la muerte, ep.5 Fin, English subtitled from Sideways Film on Vimeo.

In the Name of Honour

In the Name of Honour exposes frightening cases of ‘honour’ killings – the killing of a relative, especially a girl or woman, who is perceived to have brought dishonour on the family – from India, Jordan and Palestinian Territories. Hindu, Muslim and Christian families all share the tragic experiences that wrecked their lives.  

In this part verité / part investigative documentary, director Pawel Gula proves there is no honour in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably damaged and the killers who are still debating the consequences of their actions. Broader commentary from officials and activists fighting this horrific tradition combine to create a comprehensive picture of this brutal, hidden practice.

In the Name of Honour from Sideways Film on Vimeo.

Timelines

Three girls die before their 21st birthdays. Kayleigh, 19, a victim in a fatal car accident; Amber, 16, bullied into taking her own life; and Jenna, 20, lost a fight with a rare disease. Soon after, their stories go viral and the world is given access to their lives and deaths.

Kayleigh wrote a bucket list that was shared the world over after her death, inspiring thousands of strangers to live her dreams. Amber seemed to have it all, her suicide sent shockwaves through her small town, questions are asked and a portrait of online bullying and torment emerge. Jenna is diagnosed with a disease so rare that doctors didn’t know how to treat it, turning to social media to find support and raise awareness, her campaign ‘Get Me to 21’ makes her a star, and saves lives but sadly not her own.

Timelines is a documentary about three young girls who lived and died on the internet, a story about grief in the digital age and how personas are shaped online. And for the families the question remains, how do you say goodbye, when death goes viral?

Timelines from Sideways Film on Vimeo.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

Closed Sea

Closed Sea reveals the untold story of the endangered migrants who attempted to escape Libya to Italy during the 2011 war, only to be returned to the hands of Gaddafi as a result of a prior agreement signed between Berlusconi and Gaddafi.

During a perilous journey by boat from Libya to Italy, our protagonists become adrift, facing near certain death on the waves. A sighting, and subsequent rescue, by the Italian Navy cause scenes of unbridled joy and celebration – all captured by the stranded refuges on camera-phone.

Their joy though was to be short lived as it soon became clear that their rescuers had other plans.

Closed Sea meets the refugees who were forced back into the hands of the dictator, and witnesses the abuses faced by those who dared to attempt an escape. Families are divided and in limbo as Gaddafi’s regime crumbles and the revolution gains pace, though it is the European Court of Human Rights in Strasbourg that truly determine the final fate of our protagonists.

From their battered vessels and failed rescue to their subsequent imprisonment, tenure at a refugee camp and onward to the distant European Court of Human Rights. Closed Sea captures the dramatic stories of those whose lives were torn apart and forgotten, not just by Gaddafi, but his allies in Europe who claim to stand for freedom and human dignity.